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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Turn your eyes upon Jesus

Encouragement For Fellowship with the Lord

English645
1
O soul, are you weary and troubled?
No light in the darkness you see?
There’s light for a look at the Savior,
And life more abundant and free.
 
Turn your eyes upon Jesus,
Look full in His wonderful face,
And the things of earth will grow strangely dim,
In the light of His glory and grace.
2
Through death into life everlasting
He passed, and we follow Him there;
O’er us sin no more hath dominion
For more than conqu’rors we are!
3
His Word shall not fail you, He promised;
Believe Him and all will be well;
Then go to a world that is dying,
His perfect salvation to tell!

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Wendi

Fayetreville, AR, United States

Mar 24, 2021

So beautiful and timely. Thank your Jesus

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Neil

Siloam Springd, AR, United States

Mar 7, 2021

In Him is found true, sweet life abundant!

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Martin

Gaborone, Botswana

Feb 26, 2021

I am blessed this morning to listen to this hymn. Thank you Jesus for being my help in these trying times.

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Evelyn Martinez

Ontario, California, United States

Feb 25, 2021

And there I will be my SAVIOR

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Victor Schultz

Rio Rancho, NM, United States

Feb 14, 2021

To Him be the glory forever and ever Amen!

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Helen James

Weymouth, Dorset, United Kingdom

Feb 11, 2021

Psalm 27:8
My heart says of you, "Seek his face!"
Your face, Lord, I will seek.

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Daniel Bamford

Oakham, Rutland, United Kingdom

Feb 10, 2021

'... fixing our eyes on Jesus, the author and perfecter of faith, who for the joy set before Him endured the cross, despising the shame, and has sat down at the right hand of the throne of God. '

Hebrews 12:2.

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Flora Membery

Nanaimo, BC, Canada

Dec 26, 2020

Very beautiful hymn

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Betsy

Shrewsbury, PA, United States

Dec 16, 2020

Someone started singing the chorus of this song at the end of our prayer meeting tonight and I was so happy and blessed to hear it. I remember years ago when I was going through a really rough time, I would just sing the chorus over and over and over, and it helped me so much. May it bless you in the same way!

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Daniel J Leman

Francesville, IN, United States

Nov 30, 2020

Carol, Kim, Julie, and families,

I watched and read this week about a single lady missionary to the country of Algiers. She was born in 1853 in London to a wealthy family. She had world class artistic talent and career possibilities in her younger years which she forfeited to follow her calling as a servant of God. She chose to follow her calling and God used her in mighty ways as she applied her artistic talent, her writing abilities, and unselfish love for others to minister to a people in a faraway desert.

She wrote a tract called ‘Focus’ and in it was an illustration of a small dandelion soaking up the sunlight which peaked through the large trees in a woods. This tract and illustration made an impression on Helen Lemmel to investigate the life of Trotter. Lemmel later in her life, inspired by Trotter, wrote the song ‘Turn your eyes upon Jesus’ even though she had become physically blind herself.

Trotter drew gorgeous illustrations of flowers, which were out in the middle of nowhere, possibly only seen by God. She wrote ‘walk independently of self and straight to God. What is anything in life except a means to eternity. ’ In Algiers she had a tiny prayer room where she daily prayed. On the wall she wrote artistically…we do not yet see…but we see Jesus.

Howard has left a legacy of impressions on many people, and God used him greatly as a vessel to reach others for Christ. I am hurt and grieve for my brother. After a life of giving and serving, he had to die in obscurity in a hospital room with anguish, loneliness, and humbly like a little dandelion that no one ever sees but God. Still what is life if it doesn’t lead to eternity. His crowns are there for him that he will lay at Jesus’ feet. I am excited for Howard and our family members already in heaven. I long for what they are experiencing.

We pray that you find God’s grace, love, and peace sufficient in this trial of giving your husband, father, grandfather, and friend to be in the presence of Christ.

Dan, Linda and family

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