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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Turn your eyes upon Jesus

Encouragement For Fellowship with the Lord

English645
1
O soul, are you weary and troubled?
No light in the darkness you see?
There’s light for a look at the Savior,
And life more abundant and free.
 
Turn your eyes upon Jesus,
Look full in His wonderful face,
And the things of earth will grow strangely dim,
In the light of His glory and grace.
2
Through death into life everlasting
He passed, and we follow Him there;
O’er us sin no more hath dominion
For more than conqu’rors we are!
3
His Word shall not fail you, He promised;
Believe Him and all will be well;
Then go to a world that is dying,
His perfect salvation to tell!

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Hope

United Kingdom

Oct 27, 2021

This hymn was sung to us by the dear believer who had terminal cancer whose eyes were fixed firmly on the Lord not on the personal situation. This believer was an absolute surrender to the Lord and obtained surpassing peace in the Lord just by looking at His face. This very hymn became this person very reality...

This morning, struggling with my personal situation, I searched for this hymn hoping to touch and enter the same experience... What a sweet re-directing reminder for a weary and trouble soul not to look for a light in the the outward places, in the darkness, in ourselves, in wish for more peaceful circumstances but to turn our eyes upon Him... for there's light for a look at the Saviour...

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Jay Twine

Nedlands, WA, United States

Aug 28, 2021

We sometimes play this at my congregation, and I love it! I think many young people (such as myself) ignore the old hymns because they're not as upbeat and fun, or as emotionally priming as more modern contemporary Christian music. Yet everytime I visit them I'm astounded by how deep and biblical they often are, and they are so beautiful. I pray that we don't ever abandon the hymns.

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Elwood Russell

Lurgan Com Armagh, Armagh, United Kingdom

Aug 7, 2021

what blessed words and how good to live in the reality of them over sixty years many thanks God bless

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Leila J

Sydney, NSW, Australia

Jul 24, 2021

I love music and since I was little I loved to sing.

God saved me miraculously when In my twenties and I gave my heart and my life to Christ.

Since then I vowed to sing only to My LORD who gave me a new life and an eternal life with HIM.

I love this song, I was searching online for the full words of this hymn and I only found it on this website. Thank you and God bless you

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Stephanie

Brooklyn, NY, United States

Jul 20, 2021

I sang the chorus of this hymn to my dad in the midst of his Alzheimer’s.

As I sang it at his bedside when there was no evidence of lucidity. I always knew that the truth of this Him would break through the forgotten and the loss. Last night I was reminded that in my own hurt, the only answer is to turn my eyes upon Jesus.

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Seraphina

Atlanta, GA, United States

Jun 8, 2021

I was introduced to Christ by a co-worker of mine. Ever since attending small home meetings, we have sung the song a few times as a group. This is such a beautiful hymn! We have to open our hearts and arms to invite Christ into us.

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Abigail

Accra, Ghana

Jun 4, 2021

A friend of mine lost her job. Her mother is sick, My friend loves God so much . And this time she's praying to God for help. I stand with her in prayer deprived of sleep. I have done all I can as a human being to help her. But nothing works. So I remembered this song....

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Judson Lee Leafasia

Honiara, Guadalcanal, Solomon Islands

May 24, 2021

I learnt the chorus as a kid at Sunday School but never heard or seen the verses to the song or who wrote it. In this materialistic world this is the most powerful antidote to greed, covetousness and greed. Love the tune and the words.

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Rosita Enriquez

Anaheim, California, United States

Apr 9, 2021

I have always been interested in the origin of the hymns; what inspired the author, what experiences and situations were going on when The Lord gave the hymn, etc.

I had heard a little of the author of this hymn, I searched and found out the following:

"Biography

Helen Howarth Lemmel was born in England in 1863, into the home of a Wesleyan minister who immigrated to America when Helen was a child. She loved music, and her parents provided the best vocal teachers they could find. Eventually Helen returned to Europe to study vocal music in Germany. In time, she married a wealthy European, but he left her when she became blind, and Helen struggled with multiple heartaches during midlife. At age 55, Helen heard a statement that deeply impressed her: "So then, turn your eyes upon Him, look full into His face and you will see that the things of earth will acquire a strange new dimness."

“I stood still, ” Helen later said, “and singing in my soul and spirit was the chorus, with not one conscious moment of putting word to word to make rhyme, or note to note to make melody. The verses were written the same week, after the usual manner of composition, but nonetheless dictated by the Holy Spirit. ” Pastor Doug Goins of Palo Alto, California, and his parents, Paul and Kathryn Goins, both 82, of Sun City, Arizona, knew Helen in Seattle. “she was advanced in years and almost destitute, but she was an amazing person, ” said Doug. “She made a great impression on me as a junior high child because of her joy and enthusiasm. Though she was living on government assistance in a sparse bedroom, whenever we’d ask how she was doing, she would reply, ‘I’m doing well in the things that count. ’” One day, the Goins invited her to supper. “We had never entertained a blind person before, ” recalled Kathryn, “and it was interesting. Despite her infirmities, she was full of life. ”

“She was always composing hymns, ” said Kathryn. “She had no way of writing them down, so she would call my husband at all hours and he’d rush down and record them before she forgot the words. ” Helen had a small plastic keyboard by her bed. There she would play, sing and cry. “One day, God is going to bless me with a great heavenly keyboard, ” she’d say. “I can hardly wait! ” Helen Lemmel, who wrote nearly 500 hymns during her lifetime, died in Seattle in 1961, 13 days before her 98th birthday."

(Retrieved on 4. 9. 21 from the internet)

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DH

Fremont, CA, United States

Apr 3, 2021

I recently spent a couple of days at a spa getaway just to be by myself and think things through. My husband passed away almost 3 years ago and I had yet to move into acceptance. This tune kept playing over and over in my mind but started with “Cast your cares upon Jesus. I rarely pray for myself because I feel guilty and selfish, thinking I should always pray for others. Cast your cares upon Jesus. I did. I asked for peace of heart and mind. I asked for His peace that surpasses all understanding. I asked and true to His promise, I received.

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