Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Oh, trust thyself to Jesus

Encouragement For Trusting the Lord

English646
1
Oh, trust thyself to Jesus
When conscious of thy sin,
Its heavy weight upon thee,
Its mighty pow’r within:
Then is the hour for pleading
His finished work for thee:
Then is the time for singing,
His blood was shed for me.
2
Oh, trust thyself to Jesus
When tempted to transgress,
By word or look of anger,
Or thought of bitterness:
Then is the hour for claiming
Thy Lord to fight for thee:
Then is the time for singing,
He doth deliver me.
3
Oh, trust thyself to Jesus
When daily cares perplex,
And trifles seem so mighty
Thy inner soul to vex:
Then is the hour for grasping
His hand who walked the sea:
Then is the time for singing
He makes it calm for me.
4
Oh, trust thyself to Jesus
When thou art wearied sore,
When head or hand refuses
To think or labor more:
Then is the hour for leaning
Upon the Master’s breast:
Then is the time for singing,
My Savior gives me rest.

Delete Comment

Delete this comment? This cannot be undone.

Marianela

Dublin, Ireland

Mar 27, 2024

Then is the time for singing!!! Amen, Lord Jesus! I love you, always is the time to be grateful and time to sing!

Read more
Michael T

East Canton, OH, United States

May 27, 2021

What a burst of fresh air! Never have I been so nourished in my soul from a hymn. ❤️

Read more
JL

United States

Nov 13, 2017

This morning while driving down on the Santa Ana Freeway to work and feeling drowsy, the Lord reminded me of this very hymn that I used to sing while driving on the Long Island Expressway 35 years ago, whenever I felt drowsy. The first "Then..." in each stanza marks the beginning of a turning point that finishes on a high note, "Pleading His FINished," "Claiming thy LORD," "Grasping His HAND," "Leaning UPON," - all requiring the release of a deep breath. And that was invigorating. I invariably felt refreshed instantly.

Back then, I was impressed with phrases like "grasping His hand who walked the sea," and "when head or hand refuses to think or labor more," but today, 35 years later, it is "trifles seem so mighty" - nevertheless, I remain impressed and blessed with "Then it is the time for singing..."

Read more
Phil Jacobson

Northridge, California, United States

Dec 8, 2013

Now is the time for singing: He doth deliver me! We love You Lord Jesus, we love You.

Read more
CF

Jun 4, 2012

I'm so happy to know I can trust myself to the Lord Jesus. When nothing makes sense, when I cannot trust in anything I see or feel, when I can hardly see one step in front of me, I can say "Lord Jesus! I'm entrusting myself to You." My flesh and my heart fail, but God the strength of my heart and my portion forever! Blessed is the man whose trust Jehovah is!

Read more
PL

Dunedin, New Zealand

Oct 20, 2011

Such a sweet hymn, and this melody is beautiful too. I appreciate the words in verse 4: "when head or hand refuses to think or labor more". At these times, we can really lean on our sweet Lord. He is real and practical because He indwells our spirit! (2 Tim. 4:22) Our flesh may be weak, but our spirit is willing (Matt. 26:41).

Read more