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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Dear Lord Jesus, we adore Thee

Praise of the Lord His Humanity

English62
1
Dear Lord Jesus, we adore Thee,
“Seed of woman” Thou became;
Of the virgin wast begotten,
Called e’en with a human name.
Taking thus the human nature,
Thou as man the serpent trod;
By the Cross his head Thou bruisèd
And fulfilled the plan of God.
 
Lord, we see Thy glory,
Shown in human beauty,
Full of splendor, manifested
In humanity.
2
As a man, by incarnation,
Flesh and blood didst Thou partake
To destroy the devil, Satan,
In our stead and for our sake.
With the name of Jesus given
And Emmanuel callèd too,
Thou becam’st our precious Savior,
Bringing us salvation true.
3
Thou, “Last Adam” wast entitled,
And wast called the “second man”,
Head of all the new creation,
Better than the first man.
On this earth in life and conduct
Thou indeed wast Son of man;
Now in heaven with this nature
Thou dost still appear as man.
4
In the time which God appointed
Thou wilt come, dear Lord, again,
With the glory of the Father,
Still appearing as a man.
Even on the throne of judgment
Son of man Thou still wilt be;
And with this, our human nature,
Thou forevermore wilt be.

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Un Hermano

Jun 17, 2025

Do you know what the first promise God gave in Genesis was? The first promise is written in Genesis 3:15: “I will put enmity between you and the woman, and between your offspring and hers; they will bruise your head, and you will bruise his heel. ” This promise was given immediately after man fell. Adam and Eve were probably there in fear and trembling because of their disobedience. But God gave them a wonderful promise. This promise was that a seed of the woman would come and bruise the serpent’s head. Although the heel of the woman’s seed would be bruised, he would nevertheless crush the serpent’s head. How prominent this promise is!

The gospel is the fulfillment of the promise that the seed of the woman will crush the head of the serpent. We know that Christ, the seed of the woman, came. He was born of a virgin as the fulfillment of the promise given in Genesis 3:15. He, the seed of the woman, is the Savior-Slave whom the Gospel of Mark presents.

Life-study of Mark
Message 3 (LSM)
-----------------------
He who is in resurrection

Currently, Christ is in resurrection. One day Christ, the One who has existed from eternity, became a man through incarnation. Afterward, He was crucified and buried. Through death, He entered another realm, the realm of resurrection. In His existence from eternity, Christ was God and was with God in eternity; through incarnation, He became a man in the flesh; then, through crucifixion and burial, He entered resurrection. On the day of His resurrection, the angels told the women that they would not be able to find Christ in the tomb, for He had risen from the dead (Luke 24:1-6). This indicates that Christ is in resurrection.

The Conclusion of
the New Testament
Message 290 (LSM)

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Christopher Burk

Seattle, Washington, United States

Jul 17, 2022

In the time which God appointed
Thou wilt come, dear Lord, again,
With the glory of the Father.
What a time it’ll be!

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Selene Leyva Hernandez

Fort Stockton, TX, United States

May 15, 2022

Praise You for Your glory!!! I love You Lord!!

Read more
Joel Israel

Vijayawada, Andhra Pradesh, India

Jul 24, 2021

As a man, by incarnation,
Flesh and blood didst Thou partake
To destroy the devil, Satan,
In our stead and for our sake.
With the name of Jesus given
And Emmanuel called too,
Thou becam’st our precious Savior,
Bringing us salvation true.

Read more
Paullah Leopoldo

Philippines

May 21, 2020

O Lord, You are the perfect and genuine man! We praise You!

Read more