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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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O Lord, Thou art the Son of man

Praise of the Lord His Humanity

English61
1
O Lord, Thou art the Son of man,
Our human nature Thou didst take;
Begotten of a virgin true,
Of flesh and blood Thou didst partake.
2
In bondman’s form, with lowliness,
Thou walkedst on this earth of woe;
The human living Thou didst have
And all its suff’rings undergo.
3
Born in a manger as a babe,
Thou wast a child among the poor;
Thou as a carpenter didst work,
And e’en an outlaw’s death endure.
4
Then Thou wast raised up from the dead,
Still with the human nature true;
And as a man in form divine,
Thou didst ascend to heaven too.
5
Now over all, and on the throne,
Thou, still a man, art glorified;
A man with God in light divine
With whom our God is satisfied.
6
In glory Thou wilt come again,
Still as a man appearing then;
As King of kings, with pow’r divine,
With human nature seen by men.
7
Thou, as the center of all things,
In the new heav’n and earth shalt be,
Forever as the One divine,
Existing in humanity.

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Un Hermano

Jun 17, 2025

The Son of Man

In Revelation 1:13-18, Christ is presented as the Son of Man. Christ as the Son of Man, in all that He is and does, is for our experience and enjoyment. In Revelation, Christ—the all-inclusive, excellent, wonderful, mysterious, and awesome One—is revealed as the Son of Man in chapter 1 and as the Son of God in chapter 2. In Revelation 1:13, Christ is not only described as a High Priest, as His garments denote, but He is also revealed as one like the Son of Man. He is divine as well as human. As our High Priest, He cares for the churches in His humanity.

Christ as the Son of Man not only accomplished redemption, but also takes care of the church life, because the church is composed of human beings. The fact that the Lord is still the Son of man after ascending indicates that He did not cast off His human nature after the resurrection. He acts in the churches based on His humanity. In His humanity, He upheld the testimony of God in a completely victorious and successful way. The churches, too, being composed of human beings, can undoubtedly uphold the testimony of God in the same victorious and successful way.

The Conclusion of
the New Testament
Message 406 (LSM)
In His Humanity

In His humanity Christ is the Son of Man. Because the Lord Jesus was conceived of the Holy Spirit, He is the Son of God. Because He was born of a human virgin, He is the Son of Man. On the divine side, He is the Son of God; on the human side, He is the Son of Man. To accomplish God’s purpose, it was necessary for Christ to become a man. Without man, God’s purpose cannot be carried out on earth.

The Conclusion of
the New Testament
Message 267 (LSM)

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Kath

Worcester, Worcestershire, United Kingdom

Nov 22, 2024

Just to say that this tune is known as FULDA in case any keyboard players are searching for the sheet music to go with the words.

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Victor

London, United Kingdom

Mar 12, 2023

Thou as the centre of all things, in the new heaven and new earth shall be forever as the One divine, Existing in humanity. Amen

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Endy

Bratislava, Slovakia

Nov 11, 2010

Praise the Lord for His Fine and Balanced Humanity!

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