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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Through the bread and cup, Lord Jesus

Praise of the Lord Remembrance of Him

English227
1
Through the bread and cup, Lord Jesus,
We Thy death exhibit here;
What Thy love has done reviewing,
All Thy suff’ring we revere.
Bread and cup in separation,
Show that Thou thru death hast gone;
Grateful now, our spirit worships,
And to Thee we give our song.
 
Thine the cup of suff’ring,
Mine the cup of blessing;
For Thy love in Thy redemption,
Praise we ever sing!
2
Thou, in love, hast shed Thy blood, Lord,
Bringing us to God in grace,
That from God, no longer severed,
We may ever see His face.
All God’s righteousness and glory
Have been fully satisfied;
Thru Thy death’s abundant merit
We may now with God abide.
3
By Thy death the veil was riven,
Opened was the holiest place,
All the barriers have been broken;
We approach the throne of grace,
There receiving grace and mercy,
Thus the timely need to meet,
Drinking as of living water,
Tasting God Himself replete.
4
Thou in grace hast so redeemed us,
We the priests may be fore’er
To fulfill that holy office,
All God’s sweetness thus to share.
Such a blessing, such a mercy,
From Thy death for us ensue;
We would ever Thee remember
Till with Thee we drink anew.

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Yuji Itadori

Shinjuku, Japan

May 17, 2026

Amen, Thine the cup of suff’ring, Mine the cup of blessing; For Thy love in Thy redemption, Praise we ever sing!

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Un Hermano

Aug 21, 2025

CHRIST DYING FOR OUR SINS

ACCORDING TO THE SCRIPTURES

The gospel that we announce is “Christ died for our sins according to the Scriptures, ” as declared in 1 Corinthians 15:3 . The first crucial point of the gospel is that because of His love for us, our dear Savior became flesh, passed through human living, and finally on the cross gave up His body, shedding His precious blood to accomplish an eternal redemption. We were all sinners, yet the Lord loved us and died for our sins that we may be redeemed. Moreover, He was buried and was “raised on the third day according to the Scriptures” ( v. 4 ). This portion of the Word in 1 Corinthians 15 mentions according to the Scriptures twice, the first time in conjunction with His dying for our sins and the second time with His being raised on the third day. This is truly glad tidings—the dead can be raised. What a miracle that the Lord Jesus was raised from the dead!

This principle of death and resurrection can be seen everywhere in the universe. For example, any kind of seed after having been sown into the ground dies first and then bears much fruit. If there is no death, there is no life. Because the seed that falls into the ground has this kind of life, it is not terminated by death. On the contrary, through death it grows and bears much fruit. After the Lord Jesus died and was buried, those who hated Him and plotted to kill Him had a great celebration. However, they did not know that in a matter of three days, this Jesus who had died was raised. His death was a death with accomplishments, and His resurrection was a resurrection with even greater accomplishments. The chorus of Hymns, #227 says, “Thine the cup of suff’ring, / Mine the cup of blessing; / For Thy love in Thy redemption, / Praise we ever sing! ” Through the death of the Lord Jesus our sins were dealt with, and through His resurrection we have received His life.

The Mystery of the Universe
and the Meaning of Human Life
CWWL, 1985, vol. 5
Chapter 5 (LSM)

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V Carire

Tampa, FL, United States

Feb 16, 2025

Thine the cup of suff’ring,
Mine the cup of blessing;
For Thy love in Thy redemption,
Praise we ever sing!

Read more
Satoru Gojo

Shibuya, Japan

Sep 1, 2024

Throughout the bread and cup, the Lord alone is the digestible One

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Catherine Cargill

United Kingdom

Aug 4, 2024

Thou in grace hast so redeemed us,
We the priests may be fore’er
To fulfill that holy office,
All God’s sweetness thus to share.
Such a blessing, such a mercy,
From Thy death for us ensue;
We would ever Thee remember
Till with Thee we drink anew.
Till with Thee we drink anew

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Francis Y Chow

New York, United States

Apr 7, 2024

Such a blessing and such mercy for the Lord Jesus to redeem us! And for the veil to be riven. Hallelujah

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Sanjay Maisi

Delhi, India

Mar 3, 2024

Thine the cup of suffering,
Mine the cup of blessing;
For Thy love in Thy redemption,
Praise we ever sing! Praise the Lord Amen.

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Selene Leyva Hernandez

Fort Stockton, TX, United States

Dec 31, 2023

Hallelujah You have preserved me for another year!!! Lord grant me a holy vision that will change me forever for the sake of Your Church!

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Selene Leyva Hernandez

Fort Stockton, TX, United States

Jan 29, 2023

Lord Jesus I love You for being my reality, light, life and truth. Thou are worthy and worthy ALONE!! ❤

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Jovic Liwag

Philippines

Mar 11, 2021

By Thy death the veil was riven,

Heb 10:20 - Which entrance He initiated for us as a new and living way through the veil, that is, His flesh,

Between the Holy Place and the Holy of Holies we are confronted with the problem of a veil (Exo. 26:33). The veil signifies the flesh (Heb. 10:20), the self.

The separating veil typifies our flesh, our old, fleshly nature. Just as the veil must be riven, so our fleshly nature, our self, must be broken that we may enter the Holy of Holies. Our self, our old man, has already been crucified with Christ on the cross (Rom. 6:6).

(The Vision of God's Building, Chapter 7, Section 1)

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