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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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恩主耶穌我敬拜你

讚美主 祂的人性

Chinese56
1
恩主耶穌,我敬拜你,
你曾成為『女人裔;』
為一貞潔童女所生,
使神與人成為一。
有了我們人的性情,
以人身分毀古蛇;
藉著十架擊傷他頭,
為神計畫勝利得。
 
主,我見你榮耀,
在人美麗顯照,
神性榮美顯於人性,
配永遠稱道!
2
道成肉身,來成為人,
穿上血肉的身體;
為要毀壞魔鬼、撒但,
作了我們的代替。
神命為你起名『耶穌,』
『以馬內利』人竟稱;
如此成為寶貴救主,
救恩為我全作成。
3
你被稱為『末後亞當,』
也被稱為『第二人;』
作新造的萬有元首,
勝過舊造第一人。
在這地上生活、行動,
確是人子人共見;
今在天上帶著人性,
仍是一人顯神前。
4
在神所定榮耀日子,
恩主,你要再降臨;
帶著父神豐滿榮耀,
顯於人前仍是人。
甚至在那審判寶座,
你仍是人行審判;
並且你要將這人性
一直帶著到永遠。

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Anonymous

Aug 18, 2016

Hymn 62

SUBJECT: PRAISE OF THE LORD-HIS HUMANITY
METER: 8.7.8.7.D. with chorus.
AUTHOR: Witness Lee
COMPOSER: Herbert H. Booth

1 Dear Lord Jesus, we adore Thee,
”Seed of woman” Thou became;
Of the virgin wast begotten,
Called e’en with a human name.
Taking thus the human nature,
Thou as man the serpent trod;
By the Cross his head Thou bruised
And fulfilled the plan of God.

Chorus
Lord, we see Thy glory,
Shown in human beauty,
Full of splendor, manifested
In humanity.
2 As a man, by incarnation,
Flesh and blood didst Thou partake
To destroy the devil, Satan,
In our stead and for our sake.
With the name of Jesus given
And Emmanuel called too,
Thou becam’st our precious Savior,
Bringing us salvation true.
3 Thou, “Last Adam” wast entitled,
And wast called the “second man”,
Head of all the new creation,
Better than the first man.
On this earth in life and conduct
Thou indeed wast Son of man;
Now in heaven with this nature
Thou dost still appear as man.
4 In the time which God appointed
Thou wilt come, dear Lord, again,
With the glory of the Father,
Still appearing as a man.
Even on the throne of judgment
Son of man Thou still wilt be;
And with this, our human nature,
Thou forevermore wilt be.

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