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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Music tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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O Lord Jesus, Thy redeemed ones

Ultimate Manifestation The Holy City

English976
1
O Lord Jesus, Thy redeemed ones
Are Thy Body and Thy Bride;
As Thy fullness, Thine expression,
In her Thou art glorified.
Thou, her all in all forever,
She Thy riches doth declare;
Thou dost fully saturate her
And Thy glory with her share.
 
Lo, the holy city,
Full of God’s bright glory!
It is God’s complete expression
In humanity.
2
God with man completely blended,
Mystery of godliness.
God in glory, full, resplendent,
Man, His dwelling, doth express.
’Tis a vessel universal
All God’s fullness to express;
All His beauty manifesting,
Mingled with His holiness.
3
’Tis a living composition
Of the saints He hath transformed;
As the pearls and stones most precious,
To His image they’re conformed:
From the throne of God, its center,
Flows the living water free;
Christ the tree of life doth flourish,
Bearing fruit abundantly.
4
’Tis th’ eternal golden lampstand,
Holding Christ, the lamp of light;
God in Christ the light of glory
As the Spirit shineth bright!
’Tis the ultimate expression—
Man in God and God in man;
’Tis their mutual habitation,
Goal of God’s eternal plan.

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A Brother

United States

Mar 30, 2025

Of All the Buildings

in the Scriptures

Finally, the New Jerusalem is the ultimate consummation of all the buildings in the Scriptures. In the Bible we see the building of the tabernacle (Exo. 25:8-9), the building of the temple (1 Kings 6:1-2), the building of Jerusalem (Psa. 122:3), the rebuilding of the temple (Ezra 3:8-9), the rebuilding of Jerusalem (Neh. 2:17), and in the New Testament the building of the church. The Lord Jesus told us in Matthew 16:18 that He would build His church upon this rock, and Peter indicates in his first Epistle that we are all living stones for God’s building (2:5). Paul, furthermore, tells us that he was a wise master builder who had laid the foundation of Christ, and all of us need to build on this foundation with gold, silver, and precious stone (1 Cor. 3:9-12). The New Jerusalem is the ultimate consummation of building work throughout the ages.

God's New Testament Economy

Chapter 26 (LSM)

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Jordan

Nov 30, 2019

‘Tis a vessel universal
All God’s fullness to express;
All His beauty manifesting,
Mingled with His holiness

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Winifred

Tema, Ghana

May 11, 2011

Col. 1:9 says "God is faithful through whom you (we) were called into the fellowship of His Son Jesus Christ our Lord". I enjoyed that in this fellowship all that Christ is becomes ours to enjoy and He enjoys all that we are in Him (HWMR - Living under the unique Headship of Christ and in the Unique Divine Fellowship, week 7). In the first stanza of this hymn, this mutual enjoyment issues in the building up of the Body of Christ to consummate in the Holy City, The New Jerusalem, the Bride of Christ, the desire of God's Heart. Amen, Praise the Lord Jesus. Amen.

Lord Jesus, Thy redeemed ones
Are Thy Body and Thy Bride;
As Thy fulness, Thine expression,
In her Thou art glorified.
Thou, her all in all forever,
She Thy riches doth declare;
Thou dost fully saturate her
And Thy glory with her share.

May the Lord have mercy on us His redeemed ones to keep us in this reality that He is our all in all forever. Amen. Oh Lord Jesus, Amen.

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