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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We are never weary singing our eternal song

Worship of the Father His Redemption

English41
1
We are never weary singing our eternal song:
Glory to God, hallelujah!
We would sing His praise forever with our spirit strong:
Glory to God, hallelujah!
 
O the children of the Lord have a wondrous song to sing,
For the Lord will by His grace many sons to glory bring.
We are going in that day to the presence of the King:
Glory to God, hallelujah!
2
We are lost amid the rapture of redeeming love:
Glory to God, hallelujah!
We are seeking every moment all its grace to prove:
Glory to God, hallelujah!
3
We are going on to glory as the Lord has told:
Glory to God, hallelujah!
Where the King in all His beauty we shall soon behold:
Glory to God, hallelujah!
4
There we’ll sing His grace and mercy in a glad new song:
Glory to God, hallelujah!
There we’ll praise our glorious Savior with the blessed throng:
Glory to God, hallelujah!

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Jim Smith

Mansfield, Ohio, United States

Aug 27, 2026

John 17:20 Neither pray I for these alone (the apostles) for them which shall believe on me through their word (the body in general)

21 That they all may be one; as thou, Father, art in me, and I in thee, that they also may be one in us: that the world may believe that thou hast sent me.

22 And the GLORY which thou gavest me (the Son) I have given them; that they may be one, even as we are one:” GLORY to God!!

23 …that the world may know that thou hast sent me, and hast loved t hem, as thou hast loved me.

Verse 3 of Hymn “We are going on to GLORY as the Lord has told:”

The GLORY is not just for us. It is for the whole world can see the testimony of Christ Through the church and love Him.

Glory to God, hallelujah!

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Jim Smith

Mansfield, Ohio, United States

Aug 24, 2026

I noticed something in verse one.
We are never weary singing our eternal song:
Glory to God, hallelujah!
We would sing His praise forever WITH OUR SPIRIT STRONG:
Glory to God, hallelujah!

Brother Lee always emphasized exercising the spirit to strengthen our spirit. This hymn was written in the 1800’s. Fanny Crosby really knew her spirit. This was quite a revelation for the time.

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Rebecca Suzanne Wilging

San Bernardino, CA, United States

Jun 14, 2026

We are going on to glory as the Lord has told:

Glory to God, hallelujah!
Where the King in all His beauty we shall soon behold:
Glory to God, hallelujah!

Read more
Khim Bitang

Auckland, Warkworth, New Zealand

May 9, 2026

Glory to God.

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Rebecca Suzanne Wilging

San Bernardino, CA, United States

Apr 26, 2026

O the children of the Lord have a WONDEROUS song to sing,
For the Lord WILL by His grace MANY sons to glory bring.
We are LIVING in that day IN the presence of the King:
Glory to God, HALLELUJAH!

Read more
Johann Phang

Mar 8, 2026

O Lord amen hallelujah

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Richmond Natty

Anacortes, WA, United States

Nov 20, 2025

O Lord, keep me from growing weary - I really want to be in your presence with my brothers and sisters in that day.

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Djchow

Centennial, CO, United States

Nov 9, 2025

Glory to God, hallelujah!

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Nicole Ho

Ann Arbor, Michigan, United States

Sep 14, 2025

The grace of the Lord brings us all to glory! Glory to God, hallelujah!

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Otro Hermano

Homestead, FL, United States

Jun 26, 2025

We are going on to glory… as the Lord has told:

Glory to God, hallelujahhhh!

Where the King in all His beauty we shall soon beholddd: Glory to God, hallelujahhhh!

Read more