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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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By Thee, O God, invited

Worship of the Father His Redemption

English42
1
By Thee, O God, invited,
We look unto the Son,
In whom Thy heart delighted,
Who all Thy will hath done;
And by the one chief treasure
Thy bosom freely gave,
Thine own pure love we measure,
Thy willing mind to save.
2
O God of mercy—Father!
The one unchanging claim,
The brightest hopes, we gather
From Christ’s most precious name:
What always sounds so sweetly
In Thine unwearied ear,
Has freed our souls completely
From all our guilt and fear.
3
The trembling sinner feareth
That God can ne’er forget;
But one full payment cleareth
His memory of all debt.
When nought beside could free us,
Or set our souls at large,
The death of God’s Beloved
Secured a full discharge.
4
No wrath God’s heart retaineth
To usward who believe;
No dread in ours remaineth
As we His love receive;
Returning sons He kisses,
And with His robe invests;
His perfect love dismisses
All terror from our breasts.

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Jachin Hei

Mansfield, TX, United States

Oct 11, 2026

o loard thank you for this blessing and thank you for the gather that u give us

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Jeffrey Hall

The Church In Worcester, Massachusetts, United States

Oct 7, 2021

Such a re-assuring and encouraging entry into the ways of the Father! To realize the depths of his love, for His only begotten and for us to whom He has bestowed on us. How the Father feels, How the Father acts, What the Father desires, What the Father wills, How the Father loves, etc this hymn speaks volumes, and bless us in a most profound way!

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Godyrock

Uyo, Nigeria

Aug 1, 2021

I thank God for is grace and mercy for family that make us to see this day

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Mistica Guyo

Lucena, Quezon, Philippines

Sep 5, 2020

"Thy bosom freely gave"

Indeed, He who did not spare His own Son, but delivered Him up for us all, how shall He not also with Him freely give us all things? - Romans 8:32

What a pure love! Praise and thank Him.

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Hailey

Canada

Jun 1, 2020

The trembling sinner feareth
That God can ne’er forget;
But one full payment cleareth
His memory of all debt.
When nought beside could free us.

After I’ve sinned or am thinking about a past sin I feel that God can never forget my sin. I feel this way because I can’t forget my sin. Shame makes me feel like everyone is looking at me and judging me for what I’ve done wrong. I also feel like God does this too. This is an amazing song that is changing my mindset already.

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Francis Y. Chow

Church In Anaheim, California, United States

Mar 31, 2020

No wrath God’s heart retaineth
To usward who believe;
No dread in ours remaineth
As we His love receive;
Returning sons He kisses,
And with His robe invests;
His perfect love dismisses
All terror from our breasts.
amen!

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A Sister

Beijing, China

Oct 13, 2019

Thank You Father for loving me and freeing my soul completely!

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Ana Lara

United States

Jun 24, 2019

Mary Bowley ( Mrs. John Peters) 1813-1853.

Mary wrote a variety of spiritual hymns. She was born in Cirencester, Gloucester, England, April 17, 1813. She was married around 1830 to John McWilliam Peters who was a Vicar at Langford, Berkshire, England. He died in 1834 and left her a widow at age 21. She wrote words to express her sorrow as this hymn shows:

“Through the love of God our Savior
All will be well;
Free and changeless in his favour,
All is well. ”

In all she wrote 58 hymns and Mr. G. V. Wigram when he compiled “A Few Hymns and Some Spiritual Songs” in 1856 held them in such high esteem that he included 20 of her hymns.

Mary’s early widowhood made her feel more the emptiness of the things of this world:

“We’re pilgrims in the wilderness;

Our dwelling place is a camp. ”

There is no sadness in in these words, but just the opposite, she looked to the time when at He Lord’s return we would meet together with Him. She also wrote a history which is out of print, in which she traced the hand of God in all the great events of the world up to the time when Queen Victoria assumed the throne of England (1837).

She died on July 29, 1856 at the age of 43. Mary penned these lines which later became her experience of going to be with the Lord:

“Unseen we love Thee;
Thy dear name;
But when our eyes behold,
With joyful wonder we’ll exclaim
The half had not been told.
How happy we who know Thy name,
And trust Thy faithful Word! ”

Three of Mary Bowley’s hymns were selected to be part of this hymnal: 42, 71 and 216.

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