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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We are never weary singing our eternal song

Worship of the Father His Redemption

English41
1
We are never weary singing our eternal song:
Glory to God, hallelujah!
We would sing His praise forever with our spirit strong:
Glory to God, hallelujah!
 
O the children of the Lord have a wondrous song to sing,
For the Lord will by His grace many sons to glory bring.
We are going in that day to the presence of the King:
Glory to God, hallelujah!
2
We are lost amid the rapture of redeeming love:
Glory to God, hallelujah!
We are seeking every moment all its grace to prove:
Glory to God, hallelujah!
3
We are going on to glory as the Lord has told:
Glory to God, hallelujah!
Where the King in all His beauty we shall soon behold:
Glory to God, hallelujah!
4
There we’ll sing His grace and mercy in a glad new song:
Glory to God, hallelujah!
There we’ll praise our glorious Savior with the blessed throng:
Glory to God, hallelujah!

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Renae Brasted

Clute, TX, United States

Feb 6, 2023

What a glorious beautiful song.

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Anonymous

Lubbock, Texas, United States

Sep 18, 2022

We are never weary singing our eternal song, we would sing His praise forever with our spirit strong! Glory to God, hallelujah!

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Larry S.Taylor

Siloam Springs, AR, United States

Jul 10, 2022

O the children of the Lord have a wondrous song to sing, hallelujah

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Anitha Nokku

Tustin, California, United States

Apr 2, 2022

Glory to God, hallelujah!

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Ana Lara

Storrs, Connecticut, United States

Feb 23, 2022

William James Kirkpatrick was born February 27, 1838, Duncannon, Pennsylvania and died September 20, 1921, Pelham Court Hotel, Germantown, Pennsylvania. He was buried in West Laurel Hill Cemetery, Bala Cynwyd, Pennsylvania.

William was the son of school teacher Thomas Kirkpatrick and Elizabeth Storey. He married Susana Doak in 1861, and had three children with her including hymnist May Kirkpatrick who wrote the hymn “He’s With Me All the Time”. After Susana‘s death, he married Sarah Lankford Kellogg Bourne in 1893. After Sara died in 1917, he married Lizzie Sweeney widow of John Sweeney who wrote music for over 1, 000 Gospel songs, and collaborated in many collections.

Kirkpatrick grew up in a musical atmosphere and in 1854, went to Philadelphia, Pennsylvania, to study music and learn a trade. He spent over three years as a carpenter, but was more interested in music spending his leisure time in studying it. His ambition at the time was to become a violinist.

In 1855, Kirkpatrick joined the Horton St. Methodist Episcopal Church in Philadelphia, and from then on devoted himself mostly to sacred music, giving his services to the choir and Sunday school.

Because there were few church organs in that day, his violin and cello were in constant demand for choir rehearsals, singing societies, and church programs.

In 1861, at the beginning of the American Civil War, Kirkpatrick enlisted in the army as a Fife Major. He was discharged the next year apparently because of an act of Congress ending regimental bands.

Kirkpatrick studied vocal music under Professor T. Bishop, a leading oratorio and ballad singer. He became a member of the Harmonia and Handel and Haydn Sacred Music Societies were he heard the great singers of the day and became familiar with the principal choral works of the great composers.

In his early years, Kirkpatrick wrote a number of unpublished hymn-tunes and anthems. His first published composition was “When the Spark of Life is Waning”, which appeared around 1858 in the Musical Pioneer in New York. He went on to publish about 50 hymn collections.

This text was written by Fanny Crosby in 1855. William Kirkpatrick composed the tune which has made this a favorite hymn for more than century.

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DJQ

Iligan City, Philippines

Feb 13, 2022

"We are going on to glory as the Lord has told
Where the King in all His beauty we shall soon behold"
Hallelujah! We'll see Him face to face.

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Emmanuel Tar

City College, Nasarawa, Nigeria

Jan 31, 2022

This beautiful song to the glory of God Almighty.

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Peggy Swaney

Canton, GA, United States

Dec 10, 2021

Enjoying this song this morning but changed the last line to “we are living in this day in the presence of the King”. It is by our living in the presence of the Lord day by day that will cause our King to come and bring us into His Glory. Let the redeemed sing aloud their praises and put the enemy on the run. Hallelujah to our God for all He has done and doing for us and within us, making us His sons.

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Brian Young

Walnut, CA, United States

Mar 14, 2021

Glory to God Hallelujah!

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Glenna Herron

Odessa, TX, United States

Sep 8, 2020

Rev 14:3 And they sing a new song before the throne... and no one could learn the song except the 144,000 who have been purchased from the earth. Footnote:because no one has their specific experiences of Christ. O Lord let us learn this song through all our situations.

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