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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We praise Thee, glorious Father

Worship of the Father His Predestination

English36
1
We praise Thee, glorious Father,
As objects of Thy grace,
Who for Thine own heart’s pleasure
Are now before Thy face:
Thy sons marked out for glory
Known from eternity
With Christ Thy Well-beloved,
Object supreme to Thee.
2
Who else but Thee, O Father,
Could in Thine only Son
So bless us with Thy Spirit,
And have us for Thine own?
Soon shall we be forever
With Christ in glory; then
We’ll shine in His blest image
Eternally, Amen!

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Yabes

Kapit, Sarawak, Malaysia

Jul 2, 2023

Amen!

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Jake

Michigan, United States

Mar 19, 2023

Amen!

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Loo

Oct 23, 2022

Love this song!

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Marvin

May 15, 2022

Amen

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Ana Lara

Storrs, Connecticut, United States

Feb 14, 2022

The writer for the music of this hymn was Henry Thomas Smart. He was born October 26, 1813, London England and died July 6, 1879, London England. He was buried in Hempstead Cemetery, London.

Henry was the son of conductor and organist Sir John Thomas Smart (1776–1867). He studied music with his father and W. H. Kearns. He declined a commission in the Indian army and had planned to work in law but gave it for up for a musical career.

He played the organ at Blackburn Parish Church, Lancashire (1831-1836); St. Giles Cripplegate (1836-38); Saint Philips Regent Street (1838-39); St. Luke’s Old Street (1844–64); and St. Pancras Church (1865–79).

He went blind in 1864, but continued to compose. He was the music editor for “Psalms and Hymns for Divine Worship” (1867), the “Presbyterian Hymnal” (1875) and the hymn book of the United Presbyterian Church of Scotland.

Smart was a recognized authority on organs. He drew up specifications for many of the instruments, including those in the City Hall in Saint Andrews Hall in Glasgow, Scotland and Town Hall in Leeds.

(hymntime. com)

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Vale

United States

Sep 19, 2021

We’ll shine in His blest image

Eternally, Amen! ♡♡

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Jason Ramirez Gutierrez

Bakersfield, California, United States

Nov 28, 2020

No one gets to the Father except through you Lord Christ Jesus, we are son's marked out For your Glory known from eternity, with Christ by well beloved object supreme today, object supreme to Thee, with Christ in glory; then will shine in his blessed image eternally amen. HALLELUJAH!!! Awesome amazing and wonderful is Christ our Lord.

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Ikbal Andrian Malau

Hualien, Taiwan

Jun 30, 2019

Oh Our Lovely Father, how big Your love for us, we thank You for gaining us as Your Son through Your Begotten Son. Praise The Lord in the lofty throne.

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Kai

London, United Kingdom

Jun 16, 2019

We praise You Father. Amen.

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Nancy Smithers

Katy, Texas, United States

Jul 29, 2018

We love You Father!

Amen.

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