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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Our God and Father, we respond to Thee

Worship of the Father His Praise from Many Sons

English51
1
Our God and Father, we respond to Thee
As sons brought near,
Suited, in love and holy liberty,
To this blest sphere.
O wondrous thought, that many there should be
Like Christ, for Thy delight eternally!
2
He, Thy delight, in whom we have our part,
Through grace to share
Thy love for Him, the Object of Thy heart
Beyond compare.
His glory in Thy presence now we see,
As with Him there in love’s complacency.
3
’Tis here He sings—what joy His heart doth find,
Thyself to praise,
While many sons are stirred in heart and mind
One voice to raise
In worship, God and Father, unto Thee,
Supreme, Thou Source in love’s economy!

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Un Hermano

Aug 8, 2025

B. Giving Thanks

Verse 20 goes on to say, “Giving thanks at all times for all things in the name of our Lord Jesus Christ to our God and Father. ” We should give thanks to our God and Father not only at good times but at all times, and not only for good things but for all things. Even at the worst times, we should give thanks for all things to our God and Father.

This verse tells us to give thanks in the name of our Lord Jesus Christ. The reality of the name of the Lord is His person. To be in His name is to be in His person, in the Lord Himself. This implies that we should be one with the Lord in giving thanks to God.

Life-study of Ephesians

message 51 (LSM)

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Anonymous

Sep 3, 2024

Here's a helpful quote about John Owen's 1657 book 'Communion with God', which says: "What is this love of the Father? Owen says that it is, first, a “love of complacency, ” that is, a love that takes pleasure in its objects. God the Father is joyously, delightedly content in and with His children (Zeph. 1:17)."

(Beeke, J & Reeves, M, 'Following God Fully: An Introduction t the Puritans', p. 57)

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Anonymous

Aug 15, 2021

正當眾子你前口唱、心和,
同聲頌揚;
祂在率領,心中何等喜樂,
向你歌唱。
父神,在那愛的經營之中,
你是最高源頭,配得稱頌。

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Matthew Branson

Phoenix, OR, United States

Jun 24, 2020

Amen thank you for sharing your comment

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Matthew Bright

Dunedin, Otago, New Zealand

May 9, 2020

Best song in the world! - everthing is here. GOD'S plan and economy is to bring us to this ' blest sphere'. How can we not respond to Abba and be led to worship him in and by the leading of his Son.

All of the Fathers love is poured out upon the Son in whom we now have a part. It is here both God and man are content as we share and bask in real love.

Oh Abba dear Abba we respond to thee!

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Sister Ma

Guilin

Nov 10, 2019

God and Father, we love Thee!

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Sue

China

Jul 22, 2018

父啊!在您长子带领下,我们众子环绕您宝座,以赞美回应您无限的愛!

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Frank Pytel

Chicago, Illinois

Feb 3, 2016

Our response in this hymn is not of our unworthiness as a sinner, but as one placed in the blessed sphere of the Son! The revelation of the Father and the Son in union, fellowship and eternal delight is overwhelming. Even more, for us to participate in THIS comes without words to describe our blessed place in Christ, the Son. May many responses of love come forth as we draw nearer to our Source, and kiss our loving Father in worship as sons!

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