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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My hope is built on nothing less

Assurance and Joy of Salvation Justified in Christ

English298
1
My hope is built on nothing less
Than Jesus Christ, my righteousness;
I dare not trust the sweetest frame,
But wholly lean on Jesus’ name.
 
On Christ, the solid Rock, I stand;
All other ground is sinking sand,
All other ground is sinking sand.
2
When darkness veils His lovely face,
I rest on His unchanging grace;
In every high and stormy gale,
My anchor holds within the veil.
3
His oath, His covenant, His blood,
Support me in the whelming flood;
When all around my soul gives way,
He then is all my hope and stay.
4
When He shall come with trumpet sound,
Oh, may I then in Him be found;
In Him, my righteousness, alone,
Faultless to stand before the throne.

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Azubuike Samuel Onwumere

Silver Spring, Montgomery County/Maryland, United States

Jun 24, 2012

Having a complete reliance, dependence and trust on the only Solid Rock of Ages, Jesus Christ has proved over and over again that when Lord Jesus Christ is in total control, absolutely nothing is out of control for He is the Rock of my salvation, the Horn of my salvation and my only Hope and stay indeed. What a great Shepherd and Bishop of my soul is my Lord and Savior, Jesus Christ.

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Deb

Feb 1, 2012

The "true story" behind this hymn is something like this: Mr. Mote happened to have begun composing this hymn, just going about his normal day. Soon afterward, that very week, a friend asked Mr. Mote to pay a visit to the friend's wife, who was ailing. His friend requested that they sing a hymn, read scripture, and pray together. But his friend could not find his hymnal. Mr. Mote said that he happened to have some verses written down on some paper in his pocket. After that visit, Mr. Mote decided to finish composing the hymn.

When seeing how the hymn blessed his friend, and the wife in her final hours, Mote decided to send a copy to a magazine publication, but did not sign his submission. In the following few years, there was a bit of confusion over who might be credited with having composed the lyrics. Eventually, after seeing his hymn in another publication, Mr. Mote wrote to The Gospel Herald (requesting they publish "this brief" so that it might "...be a vindication of truthfulness in my connection with the Church of God", and was thereafter credited with its composition.

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Rose

Silver Spring, MD, United States

Jan 15, 2012

This hymn reminds me to only put my absolute trust in Christ our Savior and Lord, and not on princes (man). Christ is the solid rock which I stand, delivered my as a child, teenager, adult and will continue as He promised now and forever, Amen.

Am excited to pull the lyrics from your site, thank you!

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Oriyomi Olukunbi

Abuja, FCT, Nigeria

Nov 15, 2011

Christ is a solid rock and He will not leave nor forsake us. I have discovered men will always fail but God never fails so I implore to alway cling on to Him.

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Lawal Tunde Ezekiel

Hyderabad, Andrapradesh, India

Aug 16, 2011

I love this song because it inspires me any time I sing it. It rekindles my love for my Redeemer and Saviour-Jesus Christ.

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Amos

Kontagora, Niger, Nigeria

Jul 19, 2011

I really appreciates God for the life of the composer of this song. It has severally healed my broken heart and always gives me assurance that it is only in Christ the Solid ground I can take my stand. It encourages me not to trust in what I can do, but what Christ will do in me through His precious blood. Thank You Jesus for saving me.

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Jenny Neil

Richmond, KZN, South Africa

Apr 8, 2011

Very soon after being saved in 1983 I heard this song being sung and it impacted me deeply. I could only remember the refrain, so I was very delighted to find it on your site. I just can't stop singing it!

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Eva De Los Santos

Cagayan De Oro Cty, Misamis Oriental, Philippines

Feb 2, 2011

Jesus is the only rock whom we can safely stand!!!!

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George Churilla

Oregon City, OR, United States

Jun 16, 2010

I was thank God for His grace in my life when this great hymn came to mind. It is sad to think of all the Christians will never hear these great old hymns.

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David

Beltsville, MD, United States

Apr 9, 2010

The writer of the lyrics for this song was an Englishman, Edward Mote, raised by unbelieving, somewhat neglectful parents who ran a pub. According to an account of his early life, he is quoted as having said he did not "know there was a God."

Although receiving the Lord at the age of 18, he entered into the business of cabinet-making, following an apprenticeship. Later, at the age of 55, he became pastor of a Baptist church, serving there for more than 20 years.

This song (which sometimes features alternate lyrics) should be a great encouragement to us, as we can see what the chorus states: "On Christ, the solid Rock, I stand/All other ground is sinking sand." If we can truly enter into that sentiment, we will realize that we must rely on Christ alone. We will encounter many things in our human life, but whether family, a job, a home, education, human attainments--these things may not fully pass the test. They may be as "sinking sand." Only Christ is the true solid Rock on which we can stand, fellow brothers!

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