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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Jesus Lord, we come to Thee

Assurance and Joy of Salvation Redeemed by the Blood

English1126
1
O Jesus Lord, we come to Thee,
Thy presence to enjoy;
Our entrance now with boldness is,
As we Thy blood employ.
Not by our merit do we stand,
Nor in our righteousness,
Thy blood and righteousness we need;
Their worth we now confess.
2
Thy judgments, Lord, we must admit,
Are holy, righteous, fair.
We own our sins as crimson are,
We’ve no excuse to bear.
We’ve no argument, no plea;
No veil our sin can hide.
But, praise Thee, Lord, Thy precious blood
Is to our sin applied!
3
God has not overlooked our sin,
But judged it once for all;
His righteous fury, not on us,
But on His Lamb did fall.
A new and living way is made—
We stand on legal ground;
Our Surety and our Substitute
Has pardon for us found.
4
O Jesus Lord, we worship Thee,
Redemption now enjoy;
Thy precious blood again we see,
Its virtue now employ.
Dear Lord, Thy mercy is so vast,
Unlimited and free.
Oh, Lamb of God, we’ll sing Thy praise,
Through all eternity!

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Frank Scavo

Irvine, CA, United States

Mar 4, 2026

I wrote this hymn 40 years ago, I believe when we were living in New York City. I especially remember writing this couplet: "A new and living way is made—We stand on legal ground." Our standing is not about our feelings. It is about Christ's work to put us on legal ground before God.

I intended this hymn for the Lord's Table meeting, but it is good for any meeting and even for our private devotions. Thank you brothers for publishing it.

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Maria L

Fremont, California, United States

Aug 3, 2025

Praise the Lord! Christ’s redemption has made a way for us to come boldly to God by applying Christ’s blood, and feast on Him as our portion. Hallelujah 😀

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SL

Feb 6, 2023

O Lord we come to Thee!

How can we come to the Lord without His blood. His blood is the ground, the path and the power for us to come to thee. With His blood, we are cleaned; with His blood, we are justified; with His blood, we can stand before the enemy and enjoy the feast the Lord prepared for us.

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Gary

Meriden, KS, United States

Jul 3, 2022

A new and living way He made. We stand on legal ground.

Colossians 2:13–15 (ESV): 13 And you, who were dead in your trespasses and the uncircumcision of your flesh, God made alive together with him, having forgiven us all our trespasses, 14 by canceling the record of debt that stood against us with its legal demands. This he set aside, nailing it to the cross. 15 He disarmed the rulers and authorities and put them to open shame, by triumphing over them in him.

He nailed that legal record of best I owed to the cross. He bore it in His own flesh. Take that you rulers and authorities. You can’t accuse me anymore. All praise to our savior Jesus!

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Joanna Smathers

Baton Rouge, Louisiana, United States

Oct 14, 2013

We sang this song at our table meeting yesterday. A sister asked me to send it to her. I enjoyed the lines, "His righteous fury, not on us, but on the Lamb did fall. Our surety and substitute, has pardon for us found". Thank You dear Lord for this wonderful song, words and music.

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Patience Otoje

Church In Lagos, Okota, Lagos, Nigeria

May 12, 2013

Halluejah!!! We stand on legal ground, our surety and substitute!! Christ our legal ground!!!

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