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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My hope is built on nothing less

Assurance and Joy of Salvation Justified in Christ

English298
1
My hope is built on nothing less
Than Jesus Christ, my righteousness;
I dare not trust the sweetest frame,
But wholly lean on Jesus’ name.
 
On Christ, the solid Rock, I stand;
All other ground is sinking sand,
All other ground is sinking sand.
2
When darkness veils His lovely face,
I rest on His unchanging grace;
In every high and stormy gale,
My anchor holds within the veil.
3
His oath, His covenant, His blood,
Support me in the whelming flood;
When all around my soul gives way,
He then is all my hope and stay.
4
When He shall come with trumpet sound,
Oh, may I then in Him be found;
In Him, my righteousness, alone,
Faultless to stand before the throne.

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Anthonia Sunday

Wien, Austria

Jan 27, 2015

To God be the glory. This is so nice. Whenever I sing it it moves me. Yes, Jesus Christ is the only Rock one can built hope on because other ground are sinking sand. Thank You O Lord for being my everlasting Rock.

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Akamnonu Gloria Ngozi

Enugu, Nigeria

Jan 21, 2015

This song reassures my relationship with God . It lifts me when I am down.

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Philip Nana Addo Kwapong

Tamale, Ghana

Jan 20, 2015

This is a very powerful hymn and whenever I hear it, it refreshes my soul and connects me to the throne room. Shalom!

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Carolyn Johnson

Pittsburg, PA, United States

Jan 13, 2015

I love the Lord. Singing brings so much joy, and reading and listening to the words brings more understanding about all God is.

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Steve Miller

Detroit, MI, United States

Dec 30, 2014

In Matt 7:24-27, on which this hymn is based, to build on the solid rock is to hear Christ's words and DO them. To build on the sand is to hear Christ's words and NOT DO them.

Matt 7:24 starts with "Therefore", meaning that it explains the previous verses about entering into the kingdom, so I've included them:

Matt 7:21 Not every one that says unto me, Lord, Lord, shall enter into the kingdom of heaven; but he that doeth the will of my Father which is in heaven.

22 Many will say to me in that day, Lord, Lord, have we not prophesied in thy name? and in thy name have cast out devils? and in thy name done many wonderful works?

23 And then will I profess unto them, I never knew you: depart from me, ye that work iniquity.

24 Therefore whosoever hears these sayings of mine, and does them, I will liken him unto a wise man, which built his house upon a rock:

25 And the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell not: for it was founded upon a rock.

26 And every one that hears these sayings of mine, and does them not, shall be likened unto a foolish man, which built his house upon the sand:

27 And the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell: and great was the fall of it.

(Mat 7:21-27 KJV)

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Here is some more about the hymn author to add to David's post on 4/9/2010, Deb's on 2/1/2012 and mine on 7/20/2012:

Mote was born of very poor, unGodly parents in London., England. At the age of 16, as a cabinet maker's apprentice, he was taken by his master to hear a preacher, through whom Mote received the Lord. He became a well-known cabinet maker, and at the age of 55 he became a minister of a Baptist church in Sussex, England. There he ministered for another 21 years until poor health forced him to step down. He wrote more than 100 hymn texts in his life. This hymn may be his best known. It was first entitled, "The gracious experience of a Christian," but in a later publication in 1863 he put it under the title, "The immutable basis of a sinner's hope." - Songs of the Spirit by Martin

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Chukwuma Nwammadu

Awka, Anambra, Nigeria

Nov 16, 2014

I love this hymn, whenever I sing the song it always brings hope and joy to me.

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Brian Satchell

Maple Hts, Ohio, United States

Oct 3, 2014

Jesus is my rock! There's no sinking sand.

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Emmanuel

Ilorin, Kwara, Nigeria

Oct 3, 2014

This is a song that will bring alive every dead thing in you. It brings a relationship between you and God the Father.

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Dorcas T.Adesanya

London, England, United Kingdom

Sep 28, 2014

Oh Lord my God, I do not have any alternative, You are my all in all. You are my only hope. I rest on You oh Lord. We are safe and secure on Your everlasting arms because You are our everlasting portion. Glory be to Your name oh Lord in Jesus name. Thanks for uploading this song. God bless you and your ministry in Jesus Name, Amen. Shalom!!!

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Clarke Stanford

Brooklyn Park, Minnesota, United States

Sep 26, 2014

On Christ the solid rock I stand all other grounds is sinking sand....it is so heart touching always reminds me of my favorite Psalm 27. God is so good....

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