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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I am the Lord’s! O joy beyond expression

Consecration Constrained by the Lord’s Love

English433
1
I am the Lord’s! O joy beyond expression,
O sweet response to voice of love Divine;
Faith’s joyous “Yes” to the assuring whisper,
“Fear not! I have redeemed thee; thou art Mine.”
2
I am the Lord’s! It is the glad confession
Wherewith the Bride recalls the happy day,
When love’s “I will” accepted Him forever,
“The Lord’s,” to love, to honor and obey.
3
I am the Lord’s! Yet teach me all it meaneth,
All it involves of love and loyalty,
Of holy service, absolute surrender,
And unreserved obedience unto Thee.
4
I am the Lord’s! Yes; body, soul, and spirit,
O seal them irrecoverably Thine;
As Thou, Beloved, in Thy grace and fullness
Forever and forevermore art mine.

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L. D.

Santa Rosa, CA, United States

Oct 3, 2026

Praise the Lord that we are living in the sweet divine romance! I love this hymn!

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Un Hermano

Nov 11, 2025

A HOLY LIFE FOR THE CHURCH LIFE

The books of 1 and 2 Thessalonians contain a total of eight chapters. All these chapters are on the same subject: a holy life for the church life. Whenever we read 1 and 2 Thessalonians, we should not be distracted by other matters. No doubt, in the eight chapters of these two books a number of other points are covered. We need to be careful in our reading not to be distracted by these points. As we read 1 and 2 Thessalonians, we need to keep in mind that the central thought of these Epistles is a holy life for the church life.

This holy life for the church life is constructed of faith, love, and hope. The way to carry out such a life is to be sanctified wholly. In 1 Thessalonians 5:23 Paul says, “And the God of peace Himself sanctify you wholly, and may your spirit and soul and body be preserved complete, without blame, at the coming of our Lord Jesus Christ. ” If we would be sanctified wholly, we need to have our heart established blameless in holiness, and we need to preserve our vessel, our body, in sanctification and honor. Furthermore, all the parts of our being—our spirit, our soul, and our body—need to be preserved complete. This is to sanctify our entire being to have a holy life for the proper church life.

In 2 Thessalonians Paul repeats much of what he has said in 1 Thessalonians. Like a father with a loving heart toward his children, Paul is repetitious. This is characteristic of parents, especially as they grow older. Again and again, they may say the same thing to their children. Therefore, 2 Thessalonians is a repetition and a further development of 1 Thessalonians. It is a repetition with warnings and corrections. In 2 Thessalonians 2 Paul warns the believers not to be misled. He also corrects them in order to bring them back to the right track. Nevertheless, the main subject—the holy life for the church life—is the same in both books. Furthermore, in both 1 Thessalonians and 2 Thessalonians we see the basic structure of the Christian life, a structure that includes faith, love, and hope.

Life-study of Second Thessalonians

Message 5 (LSN)

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Un Hermano

Nov 11, 2025

COOPERATING WITH GOD

In verse 23 Paul goes on to say, “And the God of peace Himself sanctify you wholly, and may your spirit and soul and body be preserved complete, without blame, at the coming of our Lord Jesus Christ. ” And conjoins the blessing of God’s sanctifying of our entire being, given in this verse, and the charge to abstain from every kind of evil, given in the preceding verse. On the one hand, we abstain from every kind of evil; on the other hand, God sanctifies us wholly. We cooperate with God that we may have a holy living.

According to verses 16 through 22 , we should rejoice, pray, give thanks, not quench the Spirit, not despise prophecies, prove all things, hold fast to what is good, and abstain from every kind of evil. If we take care of these things, the God of peace will sanctify us wholly. Here we see the matter of the believers’ cooperation with the divine operation. In verses 12 through 22 we have the believers’ cooperation in living a spiritual and separated life. In verses 23 and 24 we have God’s operation in sanctifying and preserving the believers.

If we would live a holy life for the church life, we must cooperate with God’s operation. God is now dwelling in us. The indwelling Triune God is operating within us all the time. This is the reason we should not quench the Spirit. Actually, the Spirit is the processed Triune God. The inward burning of the Spirit is the operation of the Triune God within us, an operation with which we need to cooperate. We cooperate by taking care of all the matters covered in verses 12 through 22 . On our side, we need to cooperate. On God’s side, God is operating within us. The God of peace Himself will sanctify us wholly. The Triune God indwells, and we are the ones indwelt by Him. Hence, there must be two sides: God’s side and our side. He operates, and we cooperate with His operation.

In verse 23 Paul expresses his wish, his desire, that the God of peace would sanctify us wholly. Actually, this is the apostle’s prayer. Paul prays that the God of peace Himself sanctify us wholly. We may also say that the first part of verse 23 is Paul’s blessing, that he blesses the believers with a word concerning the God of peace sanctifying them.

In the second part of this verse Paul says, “May your spirit and soul and body be preserved complete. ” In the first part of the verse, concerning God’s sanctifying us, it is God who takes the initiative. But in the second part of the verse, concerning our spirit, soul, and body being preserved, we are the ones who should somehow take the initiative.

Life-study of First Thessalonians

Message 19 (LSM)

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Ana Lara

Storrs, Connecticut, United States

Aug 15, 2023

My daughter and her husband chose this hymn for their wedding ceremony.

Lucy A. Bennett was born on January 8, 1850 in Green Farm Field Farm, Falfield, Gloucestershire, England. She was a staunch, Methodist and a poet. She began to write poems, hymns, and prose at an early age. As a young woman, she attended the Keswick Convention where she met and corresponded with prominent Christian leaders, including Christina Rossetti, and C. H. Spurgeon. She was active at Mount Pleasant Chapel, where she arranged for ministers to come and speak, led a Bible class for women, and visited and helped the poor and needy. She helped to found All Nations College, Upper Norwood, and Mount Herman College.

Bennett died on March 10, 1929.
Some of the hymns she wrote, include:
Holy, happy separation
Jesus, name of matchless splendor
Lord and Master, we will own Him
Oh, fathomless, mercy, oh, infinite grace
Oh, teach me what it meaneth

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Frank Pytel

Chicago, Illinois, United States

Mar 12, 2023

As I sang this hymn with other lovers of Christ at His table, I thought of three reasons that “we are the Lord’s”:

1) We are the Lord’s because we have been bought with a price, the precious blood of Christ – 1 Corinthians 6:19-20; 1 Peter 1:18-19.

2) We are the Lord’s because we have been sealed with the Holy Spirit, marked out for His unrivaled ownership – Ephesians 1:14.

3) We are the Lord’s because within us there is a sweet response of "yes, I will", as our answer to His beauty and fresh love. ” We are freshly drawn and given to be His alone. “The love of Christ constrains us, and we no longer live to ourselves, but to Him who died for us, and has been raised” – 2 Corinthians 5:14-15.

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Yuri Reyes

Plano, Texas, United States

Nov 14, 2021

We are the Lord's O joy beyond expression

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Deshlin

Nov 5, 2021

Praise You Lord for such an undeniable fact that I am Yours!! O joy beyond expression!!

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Nelson K

Sydney, Australia

Sep 5, 2020

"As Thou, Beloved... Forever and forevermore art mine."

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Judith Linburg

Palo Alto, CA, United States

Mar 22, 2020

O Lord Jesus, I am Your’s, nothing can change my faith in You. I love you, Lord Jesus forever. Amen.

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Sister Patty

Cedar Rapids, IA, United States

Jan 16, 2020

Such a beautiful expression of our relationship with our Father! Thank you for posting it on your website!

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