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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Life out of death—dear Master, is it spoken

The Resurrection Life Life out of Death

English640
1
Life out of death—dear Master, is it spoken
Of the life here, or in the better land?
Nay, wherefore wait? The vessel marred and broken
Shall now be moulded by the Potter’s hand.
2
Life out of death—oh, wondrous resurrection!
Seed sown in conscious weakness, raised in power;
Thy life lived out in days of toil and friction,
“Not I, but Christ” in me from hour to hour.
3
Life out of death—a pilgrim path and lonely,
Trodden by those who glory in the Cross.
They live in fellowship with “Jesus only,”
And for His sake count earthly gain but loss.
4
Life out of death—blest mission to be ever
Bearing the living water brimming o’er.
With life abundant from the clear, pure river,
Telling that thirsty souls need thirst no more.

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Sharon

Sacramento, California, United States

Aug 13, 2024

Life out of death—oh, wondrous resurrection!
Seed sown in conscious weakness, raised in power;
Thy life lived out in days of toil and friction,
“Not I, but Christ” in me from hour to hour.

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Ja

Diamond Bar, United States

Jun 22, 2024

Notes on Scriptural Messages (3)

CWWN, vol. 19

"The first stanza is a question. Is this life out of death something of today, or does one have to wait for the future? Based on what the writer learned and experienced, he answered: “Nay, wherefore wait? The vessel... / Shall now be moulded by the Potter’s hand. ” This is a reference to the words of Jeremiah 18:4. The vessel was marred already. But the potter used the same clay to make another one. This is life out of death; this is resurrection. The emphasis is “here”; it is not the future or tomorrow.

Stanza two tells us how wonderful this resurrection is. “Seed sown in conscious weakness, raised in power. ” This is according to 1 Corinthians 15:43 which says, “It is sown in weakness, it is raised in power. ” The power of resurrection will be manifested in the body. On that day the body will be transfigured. But even today this resurrection life will be the strength of our body. “Thy life lived out in days of toil and friction. ” Many toils and sufferings are beyond what we can bear. If we tried to bear them, we would fail within a minute. Yet His life has sustained us. Indeed, “‘Not I, but Christ’ in me from hour to hour. ”

Stanza three includes the phrase “a pilgrim path and lonely. ” Following this, it says, “Trodden by those who glory in the Cross. / They live in fellowship with ‘Jesus only. ’” This is due to the fact that such a one has known the power of the Lord’s resurrection. The resurrection mentioned in Philippians 3 is mentioned here.

Stanza four brings in John 7. On the last day of the feast, our Lord stood up and cried with a loud voice, “If anyone thirsts, let him come to Me and drink. He who believes into Me, as the Scripture said, out of his innermost being shall flow rivers of living water” (vv. 37-38). This refers to the Spirit, whom those who believed into Him were about to receive. The power of the Holy Spirit is the power of resurrection. Those who have experienced the Lord’s resurrection should also supply others with the Lord’s resurrection. This resurrection life, this abundant life, will tell thirsty souls that they need thirst no more. What a blessed commission!

If we read this hymn a few more times, it will help us to understand what this life that comes out of death is, and what resurrection is."

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Barbara

Hayward, CA, United States

Oct 21, 2022

See Collected Works of Watchman Nee Set 1 Volume 19 pages 599-600 for explanation of this song. It means so much more now!

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Grace

Anaheim, CA, United States

Jun 24, 2016

This comforted me today after a death in my family. The living water is in Him! Our whole life should be given to bearing this living water to thirsty souls!

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Gabriel

White Rock, B.C., Canada

Jul 20, 2009

First comes dying to everything else but Christ, then enjoying the triumphant resurection life; in resurection. What a wonderful hymn - Life out of Death! A vessel marred and broken becomes a vessel unto honor, sanctified, useful to the Master. May it be "'Not I, but Christ' in me from hour to hour."

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