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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Thou hast won, at length I yield

Consecration Constrained by the Lord’s Love

English434
1
Lord, Thou hast won, at length I yield;
My heart by mighty grace compelled
Surrenders all to Thee;
Against Thy terrors long I strove,
But who can stand against Thy love?
Love conquers even me.
2
If Thou hadst bid Thy thunders roll,
And light’nings flash, to blast my soul,
I still had stubborn been;
But mercy has my heart subdued,
A bleeding Savior I have viewed,
And now I hate my sin.
3
Now, Lord, I would be Thine alone,
Come, take possession of Thine own,
For Thou hast set me free;
Released from Satan’s hard command,
See all my powers waiting stand,
To be employed by Thee.

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Un Hermano

Apr 11, 2026

WHAT TO CONSECRATE
----------
Ourselves
----------

1. “They gave themselves first
to the Lord”(2 Cor. 8:5).
----------

God wants us, not our money (12:14); therefore, the first thing that we should consecrate to the Lord is ourselves. The churches in Macedonia gave themselves first to the Lord and then offered up everything that they had according to God’s will. We must offer up ourselves first; otherwise, our consecration has no value. In 1948 in Shanghai, a wealthy man wanted to buy us a bus from America to use for the gospel. However, we were concerned that he had not given himself to the Lord, so we could not receive it. Christianity has misrepresented God in the matter of consecration, placing more emphasis on money than on the person. This is a terrible shame! It is not pleasing to the Lord. The Lord wants man, not the things of man. We must first offer ourselves to the Lord and let the Lord gain us before our things will be acceptable to Him.

2. “Present yourselves to God as alive from the dead”(Rom. 6:13).

We must present our resurrected new man in Christ to the Lord, not our old man. Our old man was crucified with Christ and terminated. In Christ, we are those who are alive from the dead. In our standing in resurrection, we should present ourselves to God so that God can gain us in His resurrected new creation.

Crucial Truths in the Holy Scriptures,
Chapter 23 Consecration
CWWL, 1932–1949, (LSM)

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Anjuli

San Francisco, CA, United States

Nov 24, 2024

To be employed by Thee! Amen

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Jlin

McKinney, TX, United States

Feb 12, 2023

Lord, Thou hast won, at length I yield;
My heart by mighty grace compelled
Surrenders all to Thee;

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Steve Miller

Detroit, MI, United States

Sep 22, 2013

John Newton, the former slave trader whose life was touched by God's amazing grace, became a loving pastor. He loved his congregation, and they loved him. He was not a great preacher, but that did not matter. He had special services for children and special services for senior citizens, teaching the Bible faithfully and singing songs that he had just written.

One writer said, "Newton was more remarkable for his goodness than for his greatness." Newton would have loved that assessment. - Great Songs of Faith by Brown & Norton

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Nancy V Kaplan

Evanston, IL, United States

May 4, 2013

I like this very much. I read a biography about John Newton. This is like his life story. it is also the life story of many of us; terrified of a God who loves us. And then softened, broken by who HE really is.

Verse three says So Much in so few words. Released from Satan's hard command.

I was looking for a hymn on constrained by love. I needed a love song. Many times a sister has tried to teach me this, one of her favorites. but I am almost music illiterate. I love this way of learning.

Maybe someday you can also add an option for learning the harmony as an alternate to the basic tune? or even all 4 parts together for the full affect of thunder rolling.

Thank You.

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