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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I am the Lord’s! O joy beyond expression

Consecration Constrained by the Lord’s Love

English433
1
I am the Lord’s! O joy beyond expression,
O sweet response to voice of love Divine;
Faith’s joyous “Yes” to the assuring whisper,
“Fear not! I have redeemed thee; thou art Mine.”
2
I am the Lord’s! It is the glad confession
Wherewith the Bride recalls the happy day,
When love’s “I will” accepted Him forever,
“The Lord’s,” to love, to honor and obey.
3
I am the Lord’s! Yet teach me all it meaneth,
All it involves of love and loyalty,
Of holy service, absolute surrender,
And unreserved obedience unto Thee.
4
I am the Lord’s! Yes; body, soul, and spirit,
O seal them irrecoverably Thine;
As Thou, Beloved, in Thy grace and fullness
Forever and forevermore art mine.

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Steve Miller

Detroit, MI, United States

Nov 17, 2013

We sung this hymn at my daughter's wedding.

The tune for this beautiful hymn was written for the beautiful wedding hymn, "O Perfect Love", by Dorothy F. Gurney. This tune was written specifically for the wedding of Queen Victoria's granddaughter, Princess Louise of Wales.

----------------------

Below are the words of that wedding hymn:

1. O perfect Love, all human thought transcending,
Lowly we kneel in prayer before Thy throne,
That theirs may be the love which knows no ending,
Whom Thou forevermore dost join in one.
----------------------------

2. O perfect Life, be Thou their full assurance,
Of tender charity and steadfast faith,
Of patient hope and quiet, brave endurance,
With childlike trust that fears not pain nor death.
--------------------------

3. Grant them the joy which brightens earthly sorrow;
Grant them the peace which calms all earthly strife,
And to life’s day the glorious unknown morrow
That dawns upon eternal love and life.
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4. Hear us, O Father, gracious and forgiving,
Through Jesus Christ, Thy coeternal Word,
Who, with the Holy Ghost, by all things living
Now and to endless ages art adored.

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Ken Harding

Sydney, NSW, Australia

Apr 18, 2013

What a beautiful expression of assurance to the child of God!

I've loved Him since my teenage years and He is more precious now than ever.

A verse from this hymn was quoted on our calendar and I just had to look it up.

Thank you for this lovely rendering.

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Nene Ogbonnaya

Lagos, Nigeria

Dec 2, 2012

Lord, thank You that I am Yours. I truly belong to You. Please teach me absolute surrender to You. I love You Lord.

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Dan Elkins

Scottsdale, Arizona, United States

Nov 10, 2012

Dear Lord, may my entire being be Yours forevermore. I give my body and soul and spirit to You right now, to love and honor and obey You for the rest of my days. Thank You for accepting me forever. I ask You to teach me all it means to love You as much as You have loved me. Take me completely, I am Yours.

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Valentina

Jun 22, 2012

I am the Lord's! Yet teach me all it meanth! Lord Jesus teach us how to please You. Constitue Your being with ours so that our living can express sontaneously that we are Yours.

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Jennifer

Fremont, California, United States

May 7, 2012

Oh, how blest the thought...thank You Father, Son, and Holy Ghost. To You alone be all glory, power, and dominion now and forever more. Amen

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Joyce And Michael Raftery

Boston, MA, United States

Jan 16, 2012

Yes we are in love with our dear Master. Oh who's like our Jesus. He's all we desire. He is the living God to us. He's the magnificent One. No one can match Him. He's peerless! O Jesus, Jesus dearest Lord, we love to say Thy dear name.

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Randall Briggs

Cambridge, Massachusetts, United States

Jan 16, 2012

O joy beyond expression! Lord, make us wholly Your own in every way. No one deserves our love as much as You do. Be so romantic and win our hearts completely. Don't stop until You have all of us. We know You'll answer this prayer, dear Lord. Thank You so much, Lord Jesus. Love, Randall

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Ivy Zhong

Beijing, China

Aug 19, 2011

I'm the Lord's! Yes, body, soul and spirit. I'm the Lord's! Yes, I'm His and only His!

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Liliana Leira

Iligan City, Lanao Del Norte, Philippines

Nov 19, 2010

Hallelujah! we are the Lord's and only His!

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