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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My hope is built on nothing less

Assurance and Joy of Salvation Justified in Christ

English298
1
My hope is built on nothing less
Than Jesus Christ, my righteousness;
I dare not trust the sweetest frame,
But wholly lean on Jesus’ name.
 
On Christ, the solid Rock, I stand;
All other ground is sinking sand,
All other ground is sinking sand.
2
When darkness veils His lovely face,
I rest on His unchanging grace;
In every high and stormy gale,
My anchor holds within the veil.
3
His oath, His covenant, His blood,
Support me in the whelming flood;
When all around my soul gives way,
He then is all my hope and stay.
4
When He shall come with trumpet sound,
Oh, may I then in Him be found;
In Him, my righteousness, alone,
Faultless to stand before the throne.

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Cecilia Po

Los Gatos, CA, United States

Mar 12, 2020

My hope is built on nothing less than JESUS BLOOD AND RIGHTEOUSNESS!

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Amara Nwakanma

Lagos, Nigeria

Mar 12, 2020

Indeed, Christ is our righteousness and hope.

On Him we stand and we're sure that our tommorow is secure.

Thank You Lord!

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Joanna Smathers

Baton Rouge, LA, United States

Mar 10, 2020

This song is so comforting in distresses. Today for me the sun is shining and this song came up in my being. I am surprised at the recent traffic for this ‘old’ hymn. We know we need Him in our distress but even more in the shining.

Robert Smock, a good question.

Seems to me that Jesus blood and righteousness could be mistaken for two different things. Jesus denotes His humanity with precious blood. Sometimes people pray for compassion, humility, peace, actually the Lord is all these things to us. We just need more of Him not this and that. He IS our righteousness. Hopefully someone else will comment.

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Robert Smock

Edmond, OK, United States

Mar 7, 2020

Why did you change the very first statement in the first verse? The original lyric is "My hope is built on nothing less than JESUS BLOOD AND RIGHTEOUSNESS. There is one who doesn't like mentioning Jesus' shed blood.

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Stephen Carr

Orleans, IN, United States

Feb 28, 2020

To know the Holy Spirit gives Grace and Power and mainly Jesus Love to all who seek Him, no matter where in the word we might live in the flesh, He is right there, in His Spirit to help, lead, and save....... OH, what Joy!!!!!

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Orumah

Toronto, Ontario, Canada

Feb 25, 2020

It's absolutely amazing how soo many of my brothers and sisters in Christ all over the world love this song. Especially countries who are very predominately non Christian

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Paul Ifeanyi Okwuobi

Asaba, Delta, Nigeria

Feb 21, 2020

This hymn is a big encouragement . It reminds believers of the need to keep trusting God, even in the face of monumental challenges, reversals and vissititudes of life.

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Janine

Toronto, Ontario, Canada

Feb 20, 2020

Commit,

Don’t “throw in the towel” - instead, let Christ ANCHOR you with His Loving Strength!

“Not by might not by power, but by My Spirit”, sayeth the Lord of Hosts.

God has Mighty “plans to prosper you! To give you a HOPE and a future.

Keep singing this song to Him and it will lift your FAITH onto the Highest peak of the Rock.

On Christ, the Solid Rock WE STAND!

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Commy

Ibadan, Oyo, Nigeria

Feb 17, 2020

I felt like throwing in the towel, but the hymn encourage me to hold on, Lord Jesus I need your help more than ever.

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Michael Zang

Chicago, IL, United States

Feb 9, 2020

It's absolutely amazing how soo many of my brothers and sisters in Christ all over the world love this song. Especially countries who are very predominately non Christian.

Read more