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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My hope is built on nothing less

Assurance and Joy of Salvation Justified in Christ

English298
1
My hope is built on nothing less
Than Jesus Christ, my righteousness;
I dare not trust the sweetest frame,
But wholly lean on Jesus’ name.
 
On Christ, the solid Rock, I stand;
All other ground is sinking sand,
All other ground is sinking sand.
2
When darkness veils His lovely face,
I rest on His unchanging grace;
In every high and stormy gale,
My anchor holds within the veil.
3
His oath, His covenant, His blood,
Support me in the whelming flood;
When all around my soul gives way,
He then is all my hope and stay.
4
When He shall come with trumpet sound,
Oh, may I then in Him be found;
In Him, my righteousness, alone,
Faultless to stand before the throne.

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Deffor Comfort

Sunyani, Ghana

Oct 25, 2023

I've been singing this song through out the dawn, Lord 🙏 you are the solid rock that we stand on .

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Irene Adewunmi

Oct 15, 2023

This song has always spur me on praise God

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Angela Ngela

Limbe, Southwest, Cameroon

Oct 13, 2023

I feel lifted with this song, indeed God is the anchor of my soul and he is the solid rock I stand. Halleuyahh🙏🙏

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Ana Lara

Storrs, Connecticut, United States

Oct 12, 2023

A remarkable story of grace and redemption is that of Edward Mote, who lived in England in the 1800s. Owners of a pub in London, his parents frequently left him to his own devices on the streets of the city. Edward later reflected, “I grew up knowing nothing at all about God. ” In his teens, he was trained as a cabinetmaker, a profession he pursued well into his 50s. In addition to teaching Mote his trade, his master-teacher also led him to the Lord. After that he became a Baptist preacher. At one point, his congregation wanted to thank and bless him… and they offered him the ownership of the church building. “I do not want the building, ” he replied. “I only want the pulpit. And if I ever cease preaching Christ, then you need to drive me out of it! ” Continuing to preach every Sunday until shortly before he passed away in his 70s, Mote also wrote hymns, at one point publishing a book with nearly 100 of his hymns . Recognizing his own rescue from an empty and unstable life, he composed the well-known and well loved hymn, “My Hope is Built on Nothing Less. ”

Rev. L Codington

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Paulette King

Shoreline, WA, United States

Sep 29, 2023

This hymn met my need this morning, calming my anxious and troubled soul. Through every high and stormy gale, my anchor holds within the veil. Thank you Lord, for being such an anchor in every situation! Oh Lord Jesus, I love You!

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Hellen Wanyama

Nairobi, Kenya

Sep 28, 2023

Great and awesome refreshing words: My hope is built on nothing else but on Jesus Christ.

Thank you 💕 for putting it down!

These are songs that every time you sing them, the presence of God come over.

Thank you 💕.

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Annie

Lempster, NH, United States

Aug 24, 2023

With all the "fake news," mis/disinformation, & lies of Satan abounding in our world, I love to go to,

"ON CHRIST THE SOLID ROCK I STAND, ALL OTHER GROUND IS SINKING SAND."

His Word is the ONLY reliable Truth we can count on...

"I am THE WAY, THE TRUTH, THE LIFE..."

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Caroline Egbendip Ndifang

Limbe, South Province, Cameroon

Aug 14, 2023

The, song is wonderful am blessed

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Carolyne Atieno

Narok, Kenya

Aug 2, 2023

A wonderful song in deed, Soul soothing and refreshing in times of sorrow and anxiety. Thanks for putting it down for us. the words came to my spirit while I was praying and didn't know how to sing it but when I googled I got it🙏🙏

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Godwin Osatohemen Daniel

Estiosa, Lagos, Nigeria

Jul 21, 2023

Wow this as been my best hymn and it as strength me when every I feel disconnected thank you for never giving up on me in Christ Jesus I stand firm today ❤️Amen

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