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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

One day when heaven was filled with His praises

Gospel The Savior

English987
1
One day when heaven was filled with His praises,
One day when sin was as black as could be,
Jesus came forth to be born of a virgin—
Dwelt among men, my example is He!
 
Living, He loved me; dying, He saved me;
Buried, He carried my sins far away;
Rising, He justified freely forever:
One day He’s coming—O glorious day!
2
One day they led Him up Calvary’s mountain,
One day they nailed Him to die on the tree;
Suffering anguish, despised and rejected;
Bearing our sins, my Redeemer is He.
3
One day they left Him alone in the garden,
One day He rested, from suffering free;
Angels came down o’er His tomb to keep vigil;
Hope of the hopeless, my Savior is He.
4
One day the grave could conceal Him no longer,
One day the stone rolled away from the door;
Then He arose, over death He had conquered;
Now is ascended, my Lord evermore.
5
One day the trumpet will sound for His coming,
One day the skies with His glory will shine;
Wonderful day, my beloved ones bringing;
Glorious Savior, this Jesus is mine!

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Harry

Verona, Nj, United States

Dez 6, 2012

This hymn is the gospel of our Lord Jesus. He saved me 46 years ago. Praise the Lord.

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Neill

Nov 17, 2012

What a wonderful Savior! What a beautiful tribute to and reminder of what He did for us.

Re: Sept 2008 comments. Now that you are four years older, wouldn't you rather just praise Jesus, instead of picking at nits?

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Caroline

Cane Garden, St. Thomas, Barbados

Apr 8, 2012

A beautiful song that reflects God everlasting love throughout his life.

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Kay Robnson

Colfax, TX, United States

Apr 8, 2012

I love this song, old or new version. The writer of the lyrics did not write the music. I like to picture the writers of old getting to take a peek from heaven and hearing their original lyrics being sung to a brand new tune and asking what power point is as they see their words they penned long ago still ringing the truth decades later. No song tells the gospel message from start to finish like this one. No beauty is lost in singing it old style or new. We sang it this morning on Easter and people that had never heard the old version (since they had become Christians recently) were singing to the Lord at the top of their lungs. I bet the writer of this song J Wilbur Chapman got to see!

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Joanna

Santa Maria, CA, United States

Apr 7, 2012

This song has haunted me since I heard it at the Good Friday service yesterday. I did not recognize it because it was sung with the contemporary music. Finding the original tune has moved me deeply because it was a beloved hymn I grew up with. I often wonder if modernizing a classic hymn does not take away some of its original beauty.

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Alan

St Helens, Merseyside, United Kingdom

Apr 4, 2012

As we approach Easter this song puts the amazing sacrifice of our Lord Jesus into context.

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Lois Doornbos

Placentia, CA, United States

Mar 4, 2012

This is the original verion as written by J. Wilbur Chapman and Charles H.Marsh copyrighted in 1910. In the present contemporary gospel music the song is called "Glorious Day"

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Harry

Calgary, AB, Canada

Jan 2, 2012

One of my most favorite hymns of all time. And, simply, one of the greatest - the tune as well as lyrics. Thank you.

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Boaz Leong

Manila, Philippines

Okt 22, 2009

This reminds me of what the Lord did for us

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Steve

United Kingdom

Sep 8, 2008

It's an old favourite, and there is much to praise it for.

However I've recently looked again at Rm. 4:25. The first dia accusative case must mean 'because of our sins', not 'to achieve our sins'. If Gk. dia accusative case carries the same meaning both times (this is moot), then Paul's thought was that his rising combined with his death to justify us, but rather that his rising showed us that justification had now been made available by his death. The ISV carries this proof of achievement idea, though I still suspect the song is right.

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