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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

在獨立頁面開啟本指南

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Thy Life was giv’n for me

Consecration Constrained by the Lord’s Love

English436
1
Thy Life was giv’n for me,
Thy blood, O Lord, was shed,
That I might ransomed be,
And quickened from the dead;
Thy Life was giv’n for me, for me;
What have I giv’n for Thee?
2
Long years were spent for me
In weariness and woe,
That through eternity
Thy glory I might know;
Long years were spent for me, for me;
Have I spent one for Thee?
3
Thy Father’s home of light,
Thy rainbow-circled throne,
Were left for earthly night,
For wanderings sad and lone;
Yea, all was left for me, for me;
Have I left aught for Thee?
4
Thou, Lord, hast borne for me
More than my tongue can tell
Of bitterest agony,
To rescue me from hell;
Thou suff’redst all for me, for me;
What have I borne for Thee?
5
And Thou hast brought to me
Down from Thy home above
Salvation full and free,
Thy pardon and Thy love;
Great gifts, great gifts Thou broughtest me;
What have I brought to Thee?
6
Oh, let my life be given,
My years for Thee be spent;
World-fetters all be riven,
And joy with suff’ring blent;
Thou gav’st Thyself for me, for me,
I give myself to Thee.

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Un Hermano

十一月 12, 2025

V. THE RESULT OF CONSECRATION

1) “Christ’s slave... bought with a price”(1 Cor. 7:22-23).

The first result of our consecration to the Lord is that practically we become slaves bought by the Lord, submitting to His authority in all things.

2) “For we are His workmanship, created in Christ Jesus for good works”(Eph. 2:10).

We are God’s workmanship under His molding, just as the clay vessel is molded in the hands of the potter (cf. Isa. 64:8). Another result of our consecration to the Lord is that the Lord has our consent to freely mold us.

3) “Present yourselves to God... and your members as weapons of righteousness to God. For sin shall not Lord it over you”(Rom. 6:13-14); “Present your members as slaves to righteousness unto sanctification”(6:19).

When we present ourselves and our members to the Lord, there is still another result; that is, our members become weapons of and slaves to righteousness that we may be freed from sin, no longer being Lorded over by sin, unto sanctification.

4) “The priest shall burn all on the altar, to be a burnt sacrifice, an offering made by fire, of a sweet savor unto Jehovah”(Lev. 1:9).

The result of offering a burnt sacrifice in the Old Testament was that the burnt offering became ashes before men and a sweet savor to God. If we present ourselves as a living burnt offering to the Lord, and if we are truly faithful to Him, we will be like ashes before men and a delightful savor to God.

Life Lessons, Chapter 18

Vol. 2 (LSM)

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Ana Lara

Storrs, Connecticut, United States

七月 4, 2022

This was written in her youth by Frances Ridley Havergal and was inspired by the words over the head of Christ in the great picture, “Ecce Homo (behold the man), ” in the art gallery of Düsseldorf, Germany where she was at school. The site—as was the case with young Count Zinzendorf-– seems to have had much to do with the gifted girl’s early spiritual experience, and exerted its influence on her whole life. The words read “I did this for thee; what doest thou for Me? “ And the effect of the picture and its question soon appeared in the hymn that flowed from Miss Havergal’s heart and pen.

Miss Frances Ridley Havergal sometimes called “the Theodosia of the 19th century, ” was born at Astley Worcestershire, England, December 14, 1836. Her father, Reverend William Henry Havergal, a clergyman of the Church of England, was himself a poet and a skilled musician, and much of his daughter’s ability was a natural gift as well as by education. Born a poet, she became a fine instrumentalist, a composer and an accomplished linguist. Her health was frail, but her life was a devoted and a consecrated one. Her hymn would last for many generations after her passing.

“Writing is praying with me, ” she said. She went to be with her beloved Lord Jesus in 1879 when she was still a young woman in her forties.

The music that has made this hymn familiar in America was composed by Phillip P. Bliss, a pupil of Dr. George F. Root.

He was born in Rome, PA. Jan. , 9, 1838, and died suddenly at age 38, a victim of the railroad disaster at Ashtabula, OH. His wife, Lucy Young Bliss died with him there, in the flames that enveloped the wreck of the train. Mr. Bliss’s’ name had become popular through numerous Christian melodies, and were the American beginning of the series of Gospel Hymns. Many of these are still favorite prayer-meeting tunes throughout the country and are heard in song-service at Sunday-school and city mission meetings.

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Becky Lindberg

Kingman, Arizona, United States

七月 21, 2020

I believe this is the hymn Frances wrote after gazing for hours on the painting by Sternberg in Dusseldorf, Germany, "Ecce Homo." It portrays Christ, wearing a crown of thorns, standing before Pilate. Under the painting are these words: "This have I done for thee, what hast thou done for Me?"

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Henrich Brockhaus

Bellingham, WA, United States

十二月 7, 2016

Looking back at a long life and comparing what the Lord has given to me and what I have given to Him, I can only say with tears in my eyes that He is such a wonderful Lord: caring, forgiving and patient. He does want us to daily give ourselves to Him, so He can daily bless us and use us. I need Him everyday. I give myself to Thee. Worthy is the Lamb that was slain to receiver power and riches and wisdom and might and honor and glory and blessing.

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Steve Miller

Detroit, Michigan, United States

七月 10, 2016

Frances Havergal was born at the Rectory, Astley, Worcester, England. Her father was Rector there. Five years later they moved to the beautiful city of Worcester, where her father was Dean of the Cathedral. She tells us that when she was about 5 she told the minister that she was troubled about her sins, but he did not know how to help her. He told her that her feelings were caused by her having moved away from Astley, with all the beautiful surroundings there for a little girl to enjoy. She did not mention her feelings to anyone again for several years. At the age of 13 or 14 she went to a boarding school conducted by a most Godly lady, Mrs. Teed. Several girls in the school were converted and testified to the joy they found in the Lord. Frances confided in Mrs. Teed about her feelings, and that she so wanted the Lord Jesus in her life, too. Mrs. Teed referred her to a Miss Cooke, who wisely asked, ""Why can you not trust yourself to your Savior at once?" Miss Havergal said: "Then a flash of hope came across me, which made me feel literally breathless. I remember how my heart beat. 'I could surely,' was my response. I ran upstairs. I flung myself on my knees. I was very happy at last. I committed my soul to my Savior. I do not mean to say without any trembling or fear - but I did - and earth and heaven seemed bright from that moment - I did trust the Lord Jesus."

Miss Havergal wrote: "Trusting Thee! For Thee! That is the end of the whole matter of consecration. 'The Son of God, who loved me, and gave Himself for me.' I realized it was 'for me;' it is then practical to say, 'for Thee.' 'For Thee.' this makes the difference between slave labor and free work. For Thee, my Redeemer; for Thee, Who hast spoken to my heart; for me!"

She passed away at Swansea, Wales, in her 43rd year. She exclaimed, "It is all perfect peace. I am only waiting for Jesus to take me in."

The great missionary to China, Dr. J. Hudson Taylor, said that his favorite hymn, after he was able to trust the Lord for his complete salvation, was ""I am Trusting Thee, Lord Jesus" by Frances Havergal. Her consecration hymn, "Take My Life and Let it Be" is considered one of the greatest hymns ever written. - 'Hymn Stories' by Wilbur Konkel

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Oje

Lagos, Nigeria

五月 1, 2013

This hymn summarises God's defiant love for man.

Never sang this hymn without my spirit confirming God is too good to be questioned. He knew from the beginning we were unworthy....yet made us righteous and gave us His word to ensure we had hope and later sent His word to become flesh just to guarantee we spend eternity in His presence.

Only the true God who made man could give all...Hossanah in the highest

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Frank Pytel

Chicago, Illinois, United States

五月 1, 2010

Whenever I sing this hymn before the Lord, I realize He is so much, and I am so little. I cannot match Him, or compare! One day as I was singing this hymn verse two became real to me. He had given His years as man, that I can share in His eternity and glory. I decided to leave my job, and give Him one year to be in His Word and share His gospel. As the years go on I can increase in possessions, or in a bank account, but my time is not increasing. My time is being spent year by year, day by day, and hour by hour! How many years are left for me? I don't know. "My years for Thee be spent."

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Sabrina

London, United Kingdom

六月 10, 2009

Yes the Lord has left all His glory in heaven for us to have life. Oh Lord, Thou hast suffered all the shame and pain. The question remains what have I done for You. Your commission we know Lord but need the strength to do. Praise You Lord You are our strength and ability. Fill us today Lord with Thyself and take the gospel to the ends of the world. Christ is the gospel and the gospel is Christ. Oh brothers and sisters we need to release Christ, minister Christ and preach Christ and preach Christ from our spirit to sinners.

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