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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Come, Lord Jesus

Longings For Christ’s Second Coming

New Songs285
1
As we become the same as Christ
In life, nature, expression, and function,
We are qualified to work with Him
For His Body.
2
As we trust in the Lord helplessly,
Depend on Him as our love and strength,
And listen to His speaking,
Our hope is to be raptured
Through the redemption of our body.
 
And our prayer is—
“Come, Lord Jesus!”
And our prayer is—
“Come, Lord Jesus!”
“Come, Lord Jesus!
Lord Jesus, come!”

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Jean Patience MVULA

Likasi, KATANGA, Democratic Republic Of Congo

Apr 22, 2011

It is the need of my soul. I am crazy of You my Saviour. Oh Lord Jesus, COME COME COME!

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Melanie

Brentwood, CA

Apr 17, 2011

As we were preparing to go out to visit our neighborhoods for the gospel, this song came to me. The Lord was telling me that through His redemption, and becoming the same as He is, in life, nature, expression and function, we are qualified to work with Him for His body.

That word Qualified made it clear to me, that Christ desire is not our working but His working Himself into us so He can build His Body.

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Steve

Hanoi, Vietnam

Mar 21, 2011

Dear Lord, such a beautiful sweet song. I am extremely touched by the words and sing along. Yes Lord We are waiting for Your coming back. May all saints be ready to be raptured by Him.

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Esther 靈妙

Ho Chi Minh, Vietnam

Mar 13, 2011

Amen. The Lord is working on us everyday so that we can become the same as He is in life, nature, expression and function. Thank You Lord !

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Suzanne Hugus

Raleigh, NC, United States

Jan 11, 2011

Thank You Lord that we can depend on You as You are the arm of Jehovah to strengthen us when we are helpless, and to embrace us when we need consolation. Praise You for Your heart to make us You. Cause us to live for Your Body and express You rightly. I love You Lord! Come, Lord Jesus!

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Sardius Tan

Quezon City, Philippines

Aug 30, 2010

I love this hymn very much as I love the Lord..May our prayer is come Lord Jesus!!may we are ready to meet our Beloved Bridegroom!!We love you Lord!!

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Jerry Kim

Seoul, South Korea

Jan 9, 2010

This song causes us to know that His coming back is fully related to our readiness. Lord, build us up till You come!

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Bekah

United Kingdom

Jan 7, 2010

COME LORD JESUS!!

We sang this song many times at the young people's Poland conference, every meeting. It touches my heart so dearly. Lord we need You. We just pray that we will be ready for You return.

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Gene Goeller

Waxhaw, North Carolina, United States

Sep 28, 2009

Come Lord Jesus, I pray that You will come today, but Your will be done. Help us who long for Your coming to be strong until You come.

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Lin Lan

United States

Sep 27, 2009

We were singing this song in the East Coast summer school of truth, and as I listened to so many saints saying "Come Lord Jesus!" it was so powerful and moving, I knew that the Lord really will come one day. It's up to us to bring Him back.

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