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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Come, Lord Jesus

Longings For Christ’s Second Coming

New Songs285
1
As we become the same as Christ
In life, nature, expression, and function,
We are qualified to work with Him
For His Body.
2
As we trust in the Lord helplessly,
Depend on Him as our love and strength,
And listen to His speaking,
Our hope is to be raptured
Through the redemption of our body.
 
And our prayer is—
“Come, Lord Jesus!”
And our prayer is—
“Come, Lord Jesus!”
“Come, Lord Jesus!
Lord Jesus, come!”

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Wendy :) Risso

Rockville, Md, United States

Sep 19, 2009

and my prayer is come Lord Jesus!

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Mariah

United States

Aug 28, 2009

Amen. Come Lord Jesus!

I am realizing what a need there is for a vision! We need to pray each morning during our personal time with the Lord for a vision! A vision to focus on throughout the day. We need to pray that we and all the saints would be useful and active that day. We cannot be passive! There have been many passive Christians in the past, but that is just not acceptable now. We are part of a new age that will bring the Lord Jesus back! We cannot be passive.

I am finding that choosing a verse or two in Revelation and pray reading them every morning is really changing my daily life. We are not just pursuing, we are pursuing toward the goal! I pray that all saints, especially the young people, realize this!

I am a young person, but that doesn't mean I have the right to be passive! Reading "The worlds situation and Gods move" helped me realize that as an American young person in the church life, I have a big responsibility!

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Bro. Brent Lloyd

Mandaue City, Cebu, Philippines

May 12, 2009

Hallelujah!!! We must be prepared for His coming back. And our prayer must be COME LORD JESUS!!! AMEN!

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Samuel Chiu

Zamboanga City, Philippines

Mar 20, 2009

And our prayer is "COME, LORD JESUS!!!, COME, LORD JESUS!!!"

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Jijing Manon-og

Oroquieta City, Misamis Occidental, Philippines

Mar 16, 2009

Praise the Lord, I like this song because it reminds me how much I'm close to the Lord, and how much I love the Lord through this song.

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Whitney

Knoxville, TN, United States

Mar 13, 2009

I love this song. It touches my heart so dearly!

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mj kibo-kibo

Quezon City, Philippines

Jan 13, 2009

I like this song because it refreshes my love toward our Lord Jesus. Whenever I sing this song I cry deep within for longing for His appearing. Amen.

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Brother Mamay Pabillore

Ozamiz City, Missamis Occedintal, Philippines

Dec 31, 2008

HALLELUJAH SAINTS! "We need Christ to receive the kingdom from God and come to crush all the beasts in us and then to become a great mountain that comprises us and that fills the whole earth to be the kingdom of God." [ICBM] AMEN.

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HErmine

Hamilton, NJ, United States

Sep 25, 2008

Praise the Lord....We await Your coming Lord, that we will be fully matured in You, possessing Your life and nature...oh keep us longing, Lord! You are our everything.

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Kathy N.

Cypress, United States

Sep 8, 2008

We sang this song during a College Conference in Anaheim.. I just remember weeping and truly yearning for the Lord's return. You just sensed the same feeling in the entire building. So many young people eagerly awaiting the Lord's return! And our prayer is Come, Lord Jesus! Lord Jesus, Come!

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