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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Let me love and not be requited

The Way of the Cross The Way of Following the Lord

New Songs19
 
Let me love and not be requited.
Let me serve and not be rewarded.
Let me labor and not be remembered.
Let me suffer and not be regarded.
 
Let me pour wine, while I drink not.
Let me break bread, while I keep not,
Pour my life out that others be blessèd,
Be in suff’ring that they be contented.
 
None to pity me or care for me,
None to praise me or to console me.
I would rather be desolate, wretched,
Lonely, friendless, and wrongly treated.
 
With my blood and tears pay the price to gain the crown,
Suffer loss that I might a pilgrim’s life live out,
For, Lord, this is how You lived Your life
when You walked on this earthly sphere,
Gladly bore all loss that those who drew near
Could be freed from all suffering and fear.
 
I know not how far the future lies ahead.
On this path of no retreating I am led.
So, Lord, let me now learn from Your perfect pattern,
Suff’ring wrong, no resentment in return.
 
May You in this difficult, tedious day,
All my tears shed in secret wipe away;
Learning You are my only solacement,
And let my life for others’ joy be spent.

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Dnz_hyk

Surabaya, Jawa Timur, Indonesia

Jan 15, 2011

Just imagine how sweet are the church life, if all the saints choose this way, and together as the Body of Christ express Him abundantly. Oh Lord, our lives aren't ours. It's Yours. And our path should exactly is Your path, not ours.

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Nancy Northrup

Crescent City, CA, United States

Nov 10, 2010

What a pattern for living! If all believers on the earth had this living, the unbelievers would see the glory of God: the love of God, expressed in the face of Jesus Christ, through multitudes of redeemed and transformed people who were one new man, Jesus, on the earth. This would be the answer to Jesus' prayer in John 17:21-23 that we all would be one in the Father's glory, that the world may believe.

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Brent Lloyd Cabañog

Mandaue City, Cebu, Philippines

Oct 10, 2010

I really love this hymn. It really touches me. Amen!!! We serve the Lord without asking...

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Paul

Jun 12, 2010

Lord, please let me love!

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Dominador Manlusoc

Quezon City, Metro Manila, Philippines

May 20, 2010

Christ is the love given to us by God and is the expression of His love towards us so also Christ love the church.

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Ankhuong

Ho Chi MInh, Vietnam

Feb 20, 2010

This song is is beautifully written. I love it so much. Thank God. Amen.

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anonymus

Aug 31, 2009

This song is beautiful, as it summarizes the Christian life. It speaks of the price we pay and the life we need to live to gain the crown. It is a constant reminder that the life we should live is not easy, but will be rewarded. I was wondering though why the lyrics were changed. I do think the song was more powerful with the other lyrics.

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Joselito Cua

Zamboanga, Zamboanga Del Sur, Philippines

Aug 30, 2009

This song reminds me of the way a consecrated Christian should live. It expresses the true essence of following and loving our Lord Jesus! It's not doing a heroic act or whatsoever, it's the love of Christ that constrains the believers to give their all to the Master. I pray many believers of Christ will see the pattern, the vision and the reality of a true believers in Christ Jesus, our Lord! Amen!

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jul erving

Church In Ozamiz City, Misamis Occidental, Philippines

Jul 29, 2009

Brothers, as Christians we must also be experience suffering like Bro. Watchman Nee. He offered his life for the glory of the risen Lord Jesus. Be glory to the Lord of lords. Amen.

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Brother Mamay Pabillore

Ozamiz City, Missamis Occedintal, Philippines

Jan 1, 2009

"Saints, we need to remember this that

"when we do all the things which are ordered to us, we need to say 'WE ARE UNPROFITABLE SLAVES; WE HAVE DONE WHAT WE OUGHT TO HAVE DONE' (Luke 17:10). AMEN.

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