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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Let me love and not be respected

The Way of the Cross The Way of Following the Lord

New Songs474
 
Let me love and not be respected;
Let me serve and not be rewarded;
Let me labor and not be remembered;
Let me suffer and not be regarded.
 
’Tis the pouring, not the drinking;
’Tis the breaking, not the keeping—
A life suff’ring to seek others’ blessing,
A life loving and true comfort giving.
 
Not expecting pity or concern,
Not accepting solace or praise;
Even lonely, even forgotten;
Even wordless, even forsaken.
 
Tears and blood for the righteous crown
my price shall be;
Losing all, my cost for a faithful pilgrim’s life.
’Twas the life, O Lord, that You chose to live
In those days when on earth You walked,
Gladly suff’ring all injuries and loss
So that all might draw near and repose.
 
I cannot see how much farther I shall go;
Still I press on, knowing there is no return.
Let me follow Your pattern, so perfect and true,
Bearing all gratefully without complaint.
 
In this time of trial, O my Lord,
I pray that You would wipe my hidden tears away;
Let me learn, O Lord, You are my reward;
Let me be others’ blessing all my days.

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Delete this comment? This cannot be undone.

Liliana Ortiz

Fulshear, TX, United States

Oct 17, 2026

Still I press on, knowing there is no return …

Let me learn, O Lord; You are my reward; Let me be others’ blessing all my days.

Read more
John Madhu

Kurnool, Andhra Pradesh, India

May 16, 2026

Lord Jesus you're my Reward.

Read more
Julia

Kla, Uganda

Feb 25, 2026

Let me learn O Lord you are my reward.

Read more
Victor

Budapest, Hungary

Dec 14, 2024

Live thyself through us Lord Jesus. Live thyself through me Lord Jesus. Amen

Read more
CC

London, Essex, United Kingdom

Apr 13, 2023

This hymn is a description of brother Nee's life. " Let me love and not be respected;

Let me serve and not be rewarded;
Let me labor and not be remembered;
Let me suffer and not be regarded."

Brother Nee followed the Lord's pattern lived a life without "self". Lord, keep us faithful to follow Your path. Willing to suffer loss for the sake of Your building.

Read more
Besalelu Ravuri

Guntur, Andhra Pradesh, India

Oct 12, 2022

I cannot see how much farther I shall go;
Still I press on, knowing there is no return.
Let me follow Your pattern, so perfect and true,
Bearing all gratefully without complaint

Read more
Victoria E.

Toronto, Canada

Oct 27, 2021

God has no intention to deal with us severely; His intention is only for us to take Christ as Lord. To weep before the Lord is more precious than to be happy before men. What we find in the Lord is what cannot be found in our parents, wife and children. (CWWN, vol 11, pp. 771-772, 748-749)

Read more
Brian

Boise, Idaho, United States

Sep 19, 2021

Let me learn, O Lord, You are my reward;
Let me be others' blessing all my days.
Thank You, Lord, You're my reward!

May I bless others with Yourself that you may be their reward.

Read more
Sister Vali Ruth

Tirane, Albania

Sep 9, 2021

Tears and blood for the righteous crown
My price shall be; losing all,
My cost for a faithful pilgrim’s life.
’Twas the life, O Lord, that You chose to live
In those days when on earth You walked,
Gladly suff’ring all injuries and loss
So that all might draw near and repose.

Read more
Joel Israel

Vijayawada, Andhra Pradesh, India

Jul 13, 2021

Not expecting pity or concern,
Not accepting solace or praise;
Even lonely, even forgotten;
Even wordless, even forsaken.
Tears and blood for the righteous crown
My price shall be; losing all,
My cost for a faithful pilgrim’s life.
’Twas the life, O Lord, that You chose to live
In those days when on earth You walked,
Gladly suff’ring all injuries and loss
So that all might draw near and repose.

Read more