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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Let me love and not be requited

The Way of the Cross The Way of Following the Lord

New Songs19
 
Let me love and not be requited.
Let me serve and not be rewarded.
Let me labor and not be remembered.
Let me suffer and not be regarded.
 
Let me pour wine, while I drink not.
Let me break bread, while I keep not,
Pour my life out that others be blessèd,
Be in suff’ring that they be contented.
 
None to pity me or care for me,
None to praise me or to console me.
I would rather be desolate, wretched,
Lonely, friendless, and wrongly treated.
 
With my blood and tears pay the price to gain the crown,
Suffer loss that I might a pilgrim’s life live out,
For, Lord, this is how You lived Your life
when You walked on this earthly sphere,
Gladly bore all loss that those who drew near
Could be freed from all suffering and fear.
 
I know not how far the future lies ahead.
On this path of no retreating I am led.
So, Lord, let me now learn from Your perfect pattern,
Suff’ring wrong, no resentment in return.
 
May You in this difficult, tedious day,
All my tears shed in secret wipe away;
Learning You are my only solacement,
And let my life for others’ joy be spent.

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Kevin Lee Poracan

Dipolog City, Zamboanga Del Norte, Philippines

Jan 5, 2014

Saints, it doesn't matter whether this hymn written by Watchman nee is in the exact lyrics or in revised should be in this hymnal.net. It's the matter of life! We're in the principle of right or wrong not in life. As long as my spirit touches life in this hymn and there's nothing wrong about the lyrics itself.

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Zoe

China

Sep 24, 2013

I have read this hymn when I was young, but not be touched so much until now.

"Learning You are my only solacement,

And let my life for others’ joy be spent."

We often expect to find solacement from many things or persons those are not The Lord Himself. May The Lord enlighten us that we can look unto Him alone and hope in Him alone. And we do not live to please ourselves but to please The Lord. Amen!

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Steve Miller

Detroit, MI, United States

May 3, 2013

An earlier translation of this hymn. As others have posted, and I agree, this is more excellently written:

Let me love and not be respected;
Let me serve and not be rewarded;
Let me labor and not be remembered;
Let me suffer and not be regarded.

'Tis the pouring, not the drinking;
'Tis the breaking, not the keeping -
A life suff'ring to seek others' blessing,
A life loving and true comfort giving.

Not expecting pity and concern,
Not accepting solace and applause;
Even lonely, even forgotten,
Even wordless, even forsaken.

Tears and blood my price for the righteous crown shall be;
Losing all, my cost for a faithful pilgrim's life,
'Twas the life, O Lord, that You chose to live
In those days when on earth You walked,
Gladly suff'ring all injuries and loss
So that all might draw near and repose.

I cannot see how much farther I shall go;
Still I press on, knowing there is no return.
Let me follow Your pattern so perfect and true,
Bearing ingratitudes without complaint.

In this time of trial, O my Lord, I pray
that You'd wipe all my hidden tears away;
Let me learn, O Lord, You are my reward,
Let me be others' blessing all my days.

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Marites T. Esparagoza

Oroquieta City, Misamis Occidental, Philippines

Apr 25, 2013

Oh Lord Jesus...may our living always be under the cross for His glory!

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J.m. Charis Malalis Tinoy

Cagayan De Oro City, Mis. Or., Philippines

Sep 7, 2012

PTL...the Lord should be our pattern day by day! May the the Lord have mercy on us to live a life without reasonisgs.

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Sis LC

Auckland, New Zealand

Jan 11, 2012

I enjoyed "On this path of no retreating I am led." After spending 6 months in the FTT, I went back to work for the break. Now I find that my colleague who was also my good friend since university now lives a completely different life to me. We could have chosen to live the wealthy life they do, but we have been gloriously wrecked! Even if we take that path we would not be happy. We want to live for the Lord's testimony. This is a path of no retreating. Once, by His mercy, we've been captured by this vision there is no retreating. We are no longer able to live in a vain way again. Praise the Lord.

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David Tai

Costa Mesa

Sep 20, 2011

Lord Jesus, I love You. May I live in a way that You have lived. You are my only pattern.

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Ben Herr

Cheyenne, WY, United States

Jul 27, 2011

Someone handed me a piece of paper 20 years ago. It was a nice poem then...this lyric is touching and supplying my very inner being today!

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Chen

Leeds, United Kingdom

May 14, 2011

A sister shared this hymn with me today. I read it originally in Chinese. It just so touched my heart. I usually find the cross very heavy but things impossible with men are really possible for God.

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Bright Jenst

Bangkok, Thailand

Jan 25, 2011

I really like this song, the only thing I am confuse is that there is a song that is officially from Watchman Nee. Maybe this is the new version. But I like the older version = =.

I will sing this song for the gospel and young people's meeting this week. I would use the older version lyrics.

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