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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Divine romance

Experience of Christ Loving Him

Long Beach Songbook82
1
How could a country girl like me
Become Your match — Your bride to be?
You’re holy and You are divine
But I’m fallen and human.

Without You, Lord, I have no chance
To be like You in this romance.
But You chose me ere the world began
Nothing could change Your plan.
 
This divine romance
Is My heart’s deep plan.
I became a lowly man
To court My country girl.
 
Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
2
No man or angel ever knew
This secret hidden deep in You
That You desired to be one with man
Before the world began.

Though sin came in to ruin me
Through Satan’s scheme and subtlety
Nothing could break Your love for me
To gain me totally.
 
This divine romance
Is My heart’s deep plan,
I became a lowly man
To court My country girl.
 
Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
3
As King of kings You became a man,
You died for me—I’ve been redeemed,
In resurrection made us queen
To marry You, my King.

From death You ’rose and entered me,
I now possess Your divinity;
In life and nature we’re the same:
Both human and divine.
 
In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.
 
By Your love I’m drawn,
In Your name I’m charmed,
And Your Person captured me,
For I’ve been kissed by Thee.
4
Lord, in this close sweet fellowship,
Lord, be with me so intimate,
So personal and affectionate;
A sweet relationship.

Lord, daily change my inward being
Lord, all my heart possessing
In all my being—transforming
To be Your bride and queen.
 
In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.
 
By Your love I’m drawn,
In Your name I’m charmed,
And Your Person captured me,
For I’ve been kissed by Thee.

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Davis

NJ

Jul 27, 2013

I love this song!

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Stacey

Texas, United States

Jan 10, 2013

The key to this whole song is the transforming. Lord gain us completely that we may be transformed, beholding and reflecting the image and Glory of God to be Your counterpart, Your bride.

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Herman

Rosemead, CA, United States

Jan 7, 2013

Lord Jesus we love You! Hallelujah!

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Wilfred Mathias

Anchorage, AK, United States

Jul 24, 2012

Thank You GOD for Your LOVE You have for us in Christ Jesus. With Your LOVE in us we love others as ourselves. Two greatest Commandments Jesus revealed.

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Ryrey Espra

Lapu-lapu City, Cebu, Philippines

May 10, 2012

Every time I hear this song it refreshes my spirit to love the Lord more and more each day.

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Belva Perrine

Franklinton, NC, United States

Feb 19, 2012

Oh what a love my Jesus has for this country girl! I love You so.... much Jesus

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Adam Last Adam

New Jerusalem, Indonesia

Feb 18, 2012

Nothing can separate us from Lord Jesus' love. Amen.

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Adam Last Adam

New Jerusalem, Indonesia

Feb 18, 2012

You know that I love You, Lord Jesus!

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Aide Cruz

Odessa, Texas, United States

Nov 13, 2011

me gusta esta cancion por que descrive nuestro romance con nuestro amado REY"criato"

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Elizabeth Staeheli

Spokane, WA, United States

Jun 8, 2011

I just bought a very inexpensive audio tape with this song--and some others, I think from a sister site. The music is absolutely beautiful. Soon, I will hope to order some CDs. Singing along with this music and having it going 'round in my head all day long is a real blessing! I thank God for "showing me" this site :).

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