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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Divine romance

Experience of Christ Loving Him

Long Beach Songbook82
1
How could a country girl like me
Become Your match — Your bride to be?
You’re holy and You are divine
But I’m fallen and human.

Without You, Lord, I have no chance
To be like You in this romance.
But You chose me ere the world began
Nothing could change Your plan.
 
This divine romance
Is My heart’s deep plan.
I became a lowly man
To court My country girl.
 
Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
2
No man or angel ever knew
This secret hidden deep in You
That You desired to be one with man
Before the world began.

Though sin came in to ruin me
Through Satan’s scheme and subtlety
Nothing could break Your love for me
To gain me totally.
 
This divine romance
Is My heart’s deep plan,
I became a lowly man
To court My country girl.
 
Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
3
As King of kings You became a man,
You died for me—I’ve been redeemed,
In resurrection made us queen
To marry You, my King.

From death You ’rose and entered me,
I now possess Your divinity;
In life and nature we’re the same:
Both human and divine.
 
In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.
 
By Your love I’m drawn,
In Your name I’m charmed,
And Your Person captured me,
For I’ve been kissed by Thee.
4
Lord, in this close sweet fellowship,
Lord, be with me so intimate,
So personal and affectionate;
A sweet relationship.

Lord, daily change my inward being
Lord, all my heart possessing
In all my being—transforming
To be Your bride and queen.
 
In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.
 
By Your love I’m drawn,
In Your name I’m charmed,
And Your Person captured me,
For I’ve been kissed by Thee.

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Nika Chia

Manila, Philippines

Aug 26, 2010

Lord thank you that you became a lowly man for us. thank you for your great love for us! Lord, our Bridegroom, we love you for you first loved us!

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Lorence Ognita

Philippines

Mar 26, 2010

I like this song because the Lord Jesus Christ is a wonderful Person and He loves sinners like me. Praise the Lord for His salvation. Ephesians 2:8 says, By grace you have been saved through faith, and this not of yourselves; it is the gift of God.

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Lingen Xue

Beijing, China

Feb 7, 2010

Praise the Lord !

I love this song very much! Several days ago I taught it to my dear brothers and sisters with great enjoyment .We all love to sing and thank the Lord's love.

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Wendy Risso :D

United States

Dec 10, 2009

Praise the Lord! His Person captured me! Amen, Lord Jesus I love You! Thank You for this divine romance!!!

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Sarah L. Amores-Batoy

Zamboanga City, Philippines

Dec 3, 2009

Whenever weaknesses overtake me, I am always strengthened by spiritual hymns. This song depicts our Lover's great love for us, regardless of our pitiful condition. He restores and rekindles our love to Him. Praise the Lord.

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Annalyn Tenedero

Carmona, Cavite, Philippines

Oct 26, 2009

Praise the Lord! I really like this song because it reminds me of how the Lord Jesus loves me!

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Angel Borongan

Ozamiiz City, Misamis Occidental, Philippines

Oct 15, 2009

We need to stay in the proper church life. Christ will come as a thief. Nobody knows it. As a young God-man we need to experience Christ daily just by simply eating and drinking of Him. Saints, have a habit of reading spiritual books and singing hymns. May His words be fully constituted into us. Amen. Hallelujah for the Body.

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Rhea Medellada

Mandaue City, Cebu, Philippines

Oct 13, 2009

Praise the Lord! I like this song cause it reminds me of how the Lord Jesus loves me. He give His life for me. Even though I am not worthy of His love but still He loves me so tender. And because of His love He wants me a bride-to-be. What a love of our Lord Jesus. And I pray to Him that He grants me a heart that will love Him more and more each day.

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Gloria

East Greenwich, RI, United States

Sep 23, 2009

Just went to camp. The Lord blest me and made a friend. This song reminds me on the promises I made the Lord at camp.

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Betty Quinancela

Quito, Pichincha, Ecuador

Aug 20, 2009

Gracias Por esta musica marravillosa yo le amo a el Senor Jesus tanto

Gracias Senor por este romance divino

Bendiciones

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