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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Face to face with Christ, my Savior

Hope of Glory Face to Face with the Lord

English963
1
Face to face with Christ, my Savior,
Face to face—what will it be,
When with rapture I behold Him,
Jesus Christ who died for me?
 
Face to face I shall behold Him,
Far beyond the starry sky;
Face to face in all His glory,
I shall see Him by and by!
2
Only faintly now, I see Him,
With the darkling veil between,
But a blessed day is coming,
When His glory shall be seen.
3
What rejoicing in His presence,
When are banished grief and pain;
When the crooked ways are straightened,
And the dark things shall be plain.
4
Face to face! O blissful moment!
Face to face—to see and know;
Face to face with my Redeemer,
Jesus Christ who loves me so.

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Anonymous

Nov 10, 2020

My aunt passed away this morning. She's face to face with Jesus who loved her and died for her.

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Kin Tan

Kampong Chhnang, Cambodia

Jul 26, 2020

Looking for His glorious apprearing!

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Anonymous

Jun 11, 2020

📖“For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. ”‭‭

1 Corinthians‬ ‭13:12‬ ‭KJV‬‬

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Alan Barr

Seattle, WA, United States

Feb 23, 2020

Just a comment on the words of Felix in Nairobi quoted in this list. In Second Corinthians 5:21, God‘s Word tells us that Jesus took all of our sins in his body on the cross and that God put all of Jesus‘ righteousness on us. Therefore, when we stand before God, he will not count our sins and weigh them against our efforts to please him. Every sin that I have committed or ever will commit in this life was placed on Jesus. When I reach the gate of Heaven, God will see only the righteousness of Jesus in which I have been clothed; all of my sins – past, present, and future – were placed on Jesus at the cross. As a result, I join Felix in striving to please him in everything – but out of gratitude, not out of fear that I might somehow fall short of Heaven’s entrance-requirements. As a result, I have the same confidence that the hymn writer expresses in longing for that day on which I’ll see him face-to-face. What a wonderful day that will be! There are many great hymns of the faith, but this is surely one of my favorites.

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Andrea Dubois

Hickory, NC, United States

Jan 9, 2020

This is my story, and song! Praise God Almighty that I was raised in a baptist church were I learned the song.

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Vincent Oscar Piotet

Tyler, TX, United States

Apr 7, 2019

Thank you for this wonderful help, specially the simple guitar chords.

I'm learning to read notes with your sheet music so as to sing this hymn as it was written at the celebration of the graduation of a dear woman of GOD.

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Jane

Michigan, IN, United States

Mar 22, 2019

Face to face PTL for that day

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Unknown

Australia

Mar 1, 2019

Face to face in all His glory!!! Praise the Lord on high.

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Francille R Oark Tamplen

Arlington, Texas, United States

Jan 7, 2019

I have known this hymn since childhood. My father was a minister, teacher and a man of God. My mother was a teacher, Sunday school teacher, Dean of Women for a Baptist University, storyteller and artist. She prayed for a daughter who would sing years before I was born. Her prayers were answered, and she said that hymns were the best of my music. She, my father and my husband are FACE TO FACE with Christ our Saviour. May we all meet them there.

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Anonymous

Apr 3, 2017

My Favorite Hymn...

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