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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Face to face with Christ, my Savior

Hope of Glory Face to Face with the Lord

English963
1
Face to face with Christ, my Savior,
Face to face—what will it be,
When with rapture I behold Him,
Jesus Christ who died for me?
 
Face to face I shall behold Him,
Far beyond the starry sky;
Face to face in all His glory,
I shall see Him by and by!
2
Only faintly now, I see Him,
With the darkling veil between,
But a blessed day is coming,
When His glory shall be seen.
3
What rejoicing in His presence,
When are banished grief and pain;
When the crooked ways are straightened,
And the dark things shall be plain.
4
Face to face! O blissful moment!
Face to face—to see and know;
Face to face with my Redeemer,
Jesus Christ who loves me so.

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Louise J. Cody

Isle Of Palms, SC, United States

Apr 27, 2016

I was answering a question in Bible Study of "Revelation" and started to sing it. The words in this song was the answer to my question. Thank You.

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Mary Mastin

Fort Collins, CO, United States

Apr 28, 2015

So thankful I grew up with this hymn being played on the piano during church services - it has remained a tried and true song and melody for all ages.

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Judith Hample

Austin, Texas, United States

Apr 4, 2015

Beautiful

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Felix

Nairobi, Kenya

Sep 25, 2014

In swahili it says" tutaononana na yesu huko kwetu mbinguni " and am just reminded that we must be clean in soul as well as body. I am striving are you?

In order to see Him as He is oh how I pray that this shall come to pass. I am blessed. Thank you. God bless and keep you. Amen.

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Steve Miller

Detroit, MI, United States

Apr 4, 2014

The punctuation of 1st stanza should have a comma rather than a question mark at the end of the 2nd line. The question mark goes at the end of the stanza. Otherwise the last 2 lines of the stanza hang there alone, not a part of a sentence.

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A missionary couple with the China Inland Mission were captured by a band of Chinese terrorists and were being led by an executioner to a lonely spot on a hill. As the executioner raised his arm, they began to sing this song. To their surprise, instead of being executed they were released. They often told this story of their faith and their expectation of seeing the Lord face to face. - Songs of the Spirit by Martin

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Grant Tull­ar was help­ing with evan­geli­stic meet­ings in Ru­ther­ford, New Jer­sey. He, along with the pas­tor and the pastor's wife, did some vis­it­a­tion Sun­day af­ter­noon. They got back to the pas­tor’s home ra­ther late, and sup­per was rushed. Things were put on the ta­ble quick­ly, and ev­er­y­one was in­vit­ed to make his own snack. One of the items set out was an al­most emp­ty jar of jel­ly. Know­ing how much Tul­lar liked it, the pas­tor and his wife both passed it by. Tul­lar ac­cept­ed their kind­ness with a smile, say­ing, “So, this is all for me, is it?” In­stant­ly, the lit­tle phrase “all for me” gripped his thoughts. He went over to the pi­a­no and com­posed on the spot the now fa­mil­iar tune, along with some words—“All for me the Sav­ior suf­fered, all for me He bled and died…” The pas­tor was thrilled. He asked that the song be taught to the peo­ple in the even­ing ser­vice. Tul­lar de­clined, say­ing he want­ed to work on it a bit more. But that ne­ver hap­pened. The next day, a let­ter ar­rived from a Car­rie Breck. She had writ­ten a po­em, and won­dered if Mr. Tul­lar could set it to mu­sic. To his amaze­ment, the me­ter ex­act­ly fit the tune com­posed the even­ing be­fore. The two have been to­ge­ther ev­er since. - cyberhymnal

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Matthew

Kuching, Sarawak, Malaysia

Dec 26, 2013

My favourite hymn, when I sing this hymn remind me about the sabbath day, SDA church. Thanks for uploading this hymn.

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Sonia Phillipson_davis

Stony Hill, Kingston, Jamaica

Jun 4, 2013

When I sing this song there is a feeling of serenity that attends my soul. Especially the part that takes me far beyond the stary sky and face to face with my Saviour in ALL His glory. OH how I long for that day. I must admit that this song leaves a void in my soul at the end. A dreadful longing for home.

Keep this ministry going, to the glory of God. I used it for worship this morning. All the songs are awesome.

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Magdalena Oyam

Ialysos, Rodos, Dodecanese, Greece

May 26, 2013

We shall see Him (Jesus) face to face by and by... glory be to His wonderful name!!!

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Roy

Jakarta, Indonesia

May 24, 2013

Ii remember my father if I hear this song.

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Laura Wilson

Lithia, Florida, United States

Apr 21, 2013

Thank you very much for the beautiful music. I am going to sing this song in church and greatly needed a way to practice. God bless you and your ministry.

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