Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Midst the darkness, storm, and sorrow

Hope of Glory Face to Face with the Lord

English964
1
’Midst the darkness, storm, and sorrow,
One bright gleam I see;
Well I know the blessed morrow
Christ will come for me.
’Midst the peace, the joy, the glory
And the light, God’s own,
Christ for me is watching, waiting,
Waiting ’til I come.
2
Long the blessed Guide has led me,
By the desert road;
Now I see the coming splendor,
Splendor of my God.
There amidst the love and glory
He is waiting yet;
On His hands a name is graven
He can ne’er forget.
3
Who is this, who comes to meet me,
On the desert way,
As the Morning Star foretelling
God’s unclouded day?
He it is who came to win me,
On the cross of shame;
In His glory well I know Him,
Evermore the same.
4
O the blessed joy of meeting,
All the desert past;
O the wondrous words of greeting,
He shall speak at last!
He and I together ent’ring
The fair realm above;
He and I together sharing
All the Father’s love.
5
Where no shade nor stain can enter,
Nor the gold be dim,
In His holiness unsullied,
I shall walk with Him.
Meet companion then for Jesus,
From Him, for Him, made—
Glory of God’s grace forever
There in me displayed.
6
He who in His hour of sorrow
Bore the curse alone;
I who through the lonely desert
Trod where He had gone;
He and I, in that bright glory,
One deep joy shall share—
Mine, to be forever with Him;
His, that I am there.

Delete Comment

Delete this comment? This cannot be undone.

Anonymous

Cornwall, United Kingdom

Dec 31, 2024

Lovely song to sing in the new year

Read more
Shirley Smith

Boonville, Indiana, United States

Jun 29, 2024

Touches the heart.

Read more
Judy Smith

Newberg, Oregon, United States

Oct 11, 2022

Love this precious song of the reality of sharing "in person" relationship with my Savior some day at His bidding. My days have been numbered by Him from all eternity past and future. At 80 years old, it can't be long.

So very amazing that He in his holiness will delight in having me with Him.

Read more
Andrew

Johannesburg, Gauteng, South Africa

Feb 11, 2018

This hymn and the comments bring to mind the joy of meeting with the Lord. The sorrow of losing a son, and great great sorrow God must must feel when losing one of His own creation to the depths of despair. Bro. James I’m so sorry for your loss.

Read more
David Stuart

Gateshead, Tyne & Wear, United Kingdom

Feb 26, 2012

James, I have read your note a couple of times and wanted to share with you the grief of losing your son whose age you do not give. I have never thankfully been in such a situation although I am sure that the Lord Himself will have sustained you through such a difficult period. You will have found much consolation in hymns such as this one as well as the scriptures and other matters. May God Himself continue to bless you in the years which he graciously allows us. I hope that hymnal.net will allow the publication of this my email address, if you wish to drop me a note: foxtrot_delta_sierra@yahoo.co.uk. Thank you.

Read more
James C. Ferguson

Hammonds Plains, Nova Scotia, Canada

May 30, 2009

I just returned from putting flowers on my son's grave and suddenly a verse from that hymn came to memory and I started to sing it. I looked in the Brethren hymn book but could not find it, so I tried to find it and sure enough I found it and it brings tears to my eyes just to sing it. I did not realize there was so many verses. Love, in Him. James.

Read more