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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Since long ago at Bethany we parted

Hope of Glory Longing and Praying

English958
1
Since long ago at Bethany we parted,
Within my heart there is a ceaseless void;
How can I take my harp down from the willow?
How can my songs without Thee be enjoyed?
And when at night I’m keeping lonely vigil—
Grown numb alike to sorrow and to cheer—
Then I recall the promise of Thy coming,
But sigh: O Lord, why, why Thou dost not yet appear?
2
Thy manger wakes the thought: I too am homeless;
Thy cross strips earthly pleasures from my soul;
Thy coming bids me seek a better country,
For Thou Thyself art now my final goal.
Since Thou art gone my joy has lost its flavor,
My song the sweetness I would fain convey.
Since Thou art gone the sense of void o’erwhelms me.
Oh, how I long that Thou wilt come and not delay.
3
Though even now I know Thy loving presence,
Yet in my heart there’s still a sense of lack.
Enlightening and tenderest sustaining
Can no more satisfy: I want Thee back.
Despite Thy peace within, I still feel lonely;
Despite Thy joy there still remains a sigh;
When I feel most content, the silent yearning
To see Thee face to face becomes an uttered cry.
4
What exile cannot but desire his homeland
And long his people once again to greet?
What soul on alien soil forgets his kindred?
What parted lovers never yearn to meet?
O Lord, how can these earthly loves and pleasures
With all the joy of Thy return compare?
Then, if I cannot here behold Thy countenance,
What can I do but sigh till Thou, my Lord, appear?
5
Could’st Thou, O Lord, forget Thy word of promise
Soon to return and take me unto Thee?
Yet day by day and year by year I’ve waited
And still I wait, and no return I see!
Remember, Lord, the years I have been waiting
While Thy dear footsteps linger far away.
How long? How long? Oh! must I wait still longer
Till Thou shalt come again in glorious array?
6
From generation unto generation
Thy saints have come and gone, but have not seen
Thy glorious promise pass into fulfilment.
How long, how very long the time has been!
Why cannot we, dear Lord, discern Thy footsteps?
Why are the heavens still so closely sealed?
Oh! must our waiting be prolonged still further
Before Thou in Thy matchless splendor art revealed?
7
Lord, I recall the many years I’ve waited
For Thy return—yet, Lord, not I alone,
But Thy dear saints through many generations—
Beseeching Thee to come back for Thine own.
To countless tears and countless fervent pleadings,
By Thine appearing haste to make reply.
Oh, may Thou come, the echo of the ages,
Come, come and answer now this mighty corp’rate cry!

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Michael Cofino

Miami, Florida, United States

Aug 17, 2012

This hymn is so precious! It makes the Lord Jesus so much more real to me. Also I'm so encouraged to see all the comments from all over the world, but yet there is one, unique longing for the Lord. This makes me praise the Lord for the Body of Christ.

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Steve Miller

Detroit, MI, United States

Apr 2, 2011

This song brings me back to the right perspective for this life. I am a stranger and sojourner longing for My Lord to return. Even though I have the Lord's presence now, this energizes me to long for the full taste of His glorious return. This song inspires me to pray for the Lord to return and for the Lord to accomplish what needs to be done so He can return.

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Siling

United States

Nov 21, 2010

By the rivers of Babylon,
there we sat down,
yea, we wept, when we remembered Zion.
We hanged our harps upon the willows
in the midst thereof.

Psalm 137

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Mee

Singapore

Jun 6, 2010

I cried the first time I heard this song...

Sad because the people who have passed longed so much for Him to come back but we of this generation who are even nearer to His coming do we even long as much?

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Samuel Xue

China

May 3, 2010

Lord Jesus, I want You. COME!!!
How long, how long?
Come, dear Lord Jesus Christ!

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Joselito Cua

Zamboanga City, Philippines

Jan 16, 2010

How glorious and how majestic to know that Christ our Lord is coming back to restore the earth and establish His eternal Kingdom. This is our hope! We shall wait till He appears in glory. Amen! The cry of the ages: "COME LORD JESUS"!

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Ossy

Lagos, Nigeria

Jan 1, 2010

Dear Lord Jesus, come quickly! This is my first response, but I sincerely yearn to be ready for Your arrival! Dear Lord make this my reality.

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Karen

Suzhou, JiangSu, China

May 20, 2009

I like it very much! If anybody doesn't want to see Jesus, I think you don't love Him. If you can send this song to my email, it would be very nice.

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Jasper

Sibu, Sarawak, Malaysia

Aug 22, 2008

I treasure the writer's longing. I'm not such a person...Lord, may You grant me such a longing.

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Siqi

Canada

Jun 18, 2008

One of my fav. songs =)

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