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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My King will soon come back again

Hope of Glory Longing and Praying

English960
1
My King will soon come back again,
The sky be filled with Him;
The universe to be redeemed
Will see His light therein.
The Lord will soon fulfill His plan,
His footsteps now I hear;
His glorious frame I faintly see
Beginning to appear.
2
I’m longing for His presence blest
And dare not slothful be
While waiting for my Lord’s return,
His own dear self to see.
My only hope—that He may come
And change my faith to sight;
There is no other joy on earth
Which gives my heart delight.
3
My heart is always with Himself,
My eyes are heavenward,
My lips would utter nothing else
Than meeting with my Lord.
The coming of the Lord draws nigh,
His coming is for me;
His promise ever standeth firm
And soon fulfilled I’ll see.
4
My Savior, all Thy holy words
Can never doubted be;
With them encouraged day by day,
I’m faithful unto Thee.
Oh, may Thy glory soon appear,
The foe be overthrown;
Thy promises be realized,
And we brought to Thy throne.
5
Thy saving arm a refuge is,
My Savior God, to me;
Thou as the Father keepeth them
Who put their trust in Thee.
The sheep and shepherd are of one,
The head and body same;
None e’er can pluck from out Thy hand
The child who trusts Thy Name.
6
A thousand hands won’t hinder me,
Nor will ten thousand eyes;
The thorns upon the road but help
Me onward to the prize.
Arise, my spirit and my heart,
And let the world go by;
The Lord of life will take me soon
To be with Him on high.
7
Thou healing sun! Thou hope of man!
I really love Thy ray.
Oh, righteous Lord! oh, glorious King!
I bow to Thee and pray:
Oh, may Thou soon ascend Thy throne
And quickly show Thy face;
Thy heav’nly kingdom may Thou found
And grant all men Thy grace.
8
The truth should triumph and be king,
And freedom should be queen;
But falsehood, which has rampant run,
Head of the world is seen.
We ask Thee, Truth, to quickly come
And bring Thy light from heav’n;
The foe be crushed and all Thy sons
Into Thy bosom giv’n.

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Sterling Byassee

Mexico City, Mexico

Jul 28, 2026

Only the coming of the King with His kingdom in the all subduing power of the fragrance oh His knowledge can consummate our divine romance with Him!

Please correct the word “be” in stanza 8 line 4 - it should be “is. ”

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Jorge Sanclemente

United States

Jun 21, 2026

Thou healing sun! Thou hope of man!
I really love Thy ray.
Oh, righteous Lord! oh, glorious King!
I bow to Thee and pray:
Oh, may Thou soon ascend Thy throne
And quickly show Thy face;
Thy heav’nly kingdom may Thou found
And grant all men Thy grace.

You the only one who can understand the condition of each man, to be the healer.

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Anitha Nokku

Tustin, CA, United States

Feb 21, 2026

Such a wonderful hymn. Come Lord Jesus!
My only hope—that He may come
And change my faith to sight;
There is no other joy on earth
Which gives my heart delight.

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S. Hong

Palatine, IL, United States

Jan 4, 2026

My King will soon come back!
Our King will soon come back!
My heart is always with Himself,
My eyes are heavenward,
My lips would utter nothing else
Than meeting with my Lord.
The coming of the Lord draws nigh,
His coming is for me;
His promise ever standeth firm
And soon fulfilled I’ll see.

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Winnie Kuteesa

Kampala, Uganda

May 28, 2024

I came across this in my hymn book but didn't know how to sing it. Luckily the version here is sung and not just piano so I've really been helped to learn it. What a beautiful song! I like how the writer made it personal

"My savior God, to me".... "A thousand hands won't hinder me"

It's very beneficial to us to love God as a whole. As a Church.

But the relationship is very personal. That's what makes this beautiful to me.

I also pray to one day become this mature in my faith; caring for nothing worldly and nothing else besides the Lord's coming.

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Joseph

Indianapolis, Indiana, United States

Nov 26, 2023

This song is very beautiful and it really touch me to stay in touch with the Lord. 😀👍❤️

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John T. C. Kan

Chicago, Illinois, United States

Mar 29, 2023

The Lord’s second coming will resolve all the problems of the world, such as injustice (Isa. 11:4), war (2:4), sickness (Rev. 22:2; Ezek. 47:12), famine (Isa. 35:1, 6), education (2:2-5; 4:2-6; 11:9; Hab. 2:14; Heb. 8:11; Psa. 2:6, 12), sinful establishments (Matt. 13:41-43), the suffering of all creation (Rom. 8:21-22; Isa. 11:6, 9), and earthly governments (Rev. 11:15; Dan. 2:34-35, 44-45). HWMR 1, 2 Chronicles, Ezra, Nehemiah and Esther I. C.

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Sam Liu

New York City, NY, United States

Feb 18, 2023

Lord, we love Your appearing. We need to make ourselves ready for Your coming!

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Nimisha Shree

Trivandrum, Kerala, India

Apr 24, 2022

My heart is always with Himself,
My eyes are heavenward,
My lips would utter nothing else
Than meeting with my Lord.

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Kishore Margarete

Visakhapatnam, Andhrapradesh, India

Mar 15, 2022

During Semi annual training on Minor Prophets, in our group meeting we enjoyed this Hymn so much and also out of this enjoyment we translated this Hymn in to our local language(Telugu). Whenever I sang this Hymn, my eyes filled with tears. We all can touch the spirit of Br. Watchman Nee(Author of this Hymn) about his desire of Lords return in this Hymn.

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