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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Not where we elect to go

Service By the Lord’s Leading

English907
1
Not where we elect to go,
But where Jesus leads the way,
There the living waters flow,
There our darkness turns to day.
2
Not our self-appointed task
Will the Lord’s approval win,
But the work we did not ask,
Finished humbly, just for Him.
3
Not the prayer we long to plead
When we bend before the Throne,
But the touching deeper need
Of the Spirit’s wordless groan.
4
Not the gift we proudly lay
On His altar will He heed,
If our hearts have said Him, “Nay,”
When He whispered, “I have need.”
5
Thus we die, and dying live
In the heavenlies with the Lord;
Thus we serve, and pray, and give,
Christ Himself our great Reward.

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Jeff Hall

Church In Worcester, Massachusetts, United States

Apr 20, 2025

Humble submission to His will made known to us through the Spirit of Jesus mingled with our spirit. This hymn helped me realize how to allow His direction to have the pre-eminence in our daily living as well as serving the desires of the Lord instead of our own...........................

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Maeriehl Joy R.

Lucban, Quezon, Philippines

Dec 8, 2024

"All our priestly service to the Lord must originate from Him as “the God of measure” and not from ourselves; all our priestly service must be according to His leading and His limitation, as we allow His death to operate in us, so that His resurrection life can be imparted through us into others."

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Jack Petrash

Irving, TX

Jun 9, 2024

I say a hearty "Amen" to the comment on August 14, 2008!

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Jessica Bussell

Denton, TX, United States

May 25, 2023

Lord Jesus, May we satisfy Your need and desire above all else!

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Steve Clark

Irving, TX, United States

Sep 29, 2019

Thank the Lord for sister Barber who wrote this.

I found, if this helps, that this can be sung to the same tune as 548, Earthen vessel I was made.

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Taylor C.

Fort Worth, Texas, United States

Sep 25, 2019

Oh Lord Jesus! We need to grow by absorbing You

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Svetlana

Conroe, TX, United States

Jul 13, 2019

Lord Jesus lead us dipper, grow and mature in our being for Your and our satisfaction. We love You our dearest Husband!

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Deborah T

Corona, CA, United States

Feb 5, 2013

Yes, and Amen in my mingle spirit to these words in this hymnal. Brother Paul exhorts Timothy that petitions, prayers, intercessions and thanksgivings be made on behalf of all men. He wanted his dear children to pray...,to have a proper church life we need a prayer life. If our talking is turned into praying, the church in our locality will be transformed.

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Bridge

Saipan, Commonwealth Of The Northern Marianas, Northern Mariana Islands

Dec 27, 2011

Thank You Lord!!!!!!

This song really helped me to enjoy the Lord in my situation today! What blessing!

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Frank Pytel

Chicago, Illinois, United States

Jan 31, 2010

This song reminded me of Peter when the Lord told him, "when you were young you walked where you would, but when you shall be old you would be carried where you would not" (John 21:18). How often in our natural zeal we do spiritual things "as we would." May Christ lead us, and may He be the value of all, even when it is "not where we elect to go."

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