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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Master, speak! Thy servant heareth

Study of the Word Seeking for the Word

English808
1
Master, speak! Thy servant heareth,
Waiting for Thy gracious word,
Longing for Thy voice that cheereth
Master, let it now be heard.
I am list’ning, Lord, for Thee;
What hast Thou to say to me?
2
Often through my heart is pealing
Many another voice than Thine,
Many an unwilled echo stealing
From the walls of this Thy shrine.
Let Thy longed-for accents fall;
Master, speak! and silence all.
3
Master, speak! though least and lowest,
Let me not unheard depart;
Master, speak! for oh, Thou knowest
All the yearning of my heart.
Knowest all its truest need;
Speak! and make me blest indeed.
4
Master, speak! and make me ready,
When Thy voice is truly heard,
With obedience glad and steady,
Still to follow every word
I am listening, Lord, for Thee:
Master, speak, oh, speak to me!
5
Speak to me by name, O Master,
Let me know it is to me;
Speak, that I may follow faster,
With a step more firm and free,
Where the Shepherd leads the flock
In the shadow of the Rock!

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Patrick Erhiakporeh

London, United Kingdom

Dec 24, 2015

This song is personal to my spirit. When l sing it l am lifted from among men.

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Anonymous

Oct 21, 2015

This is one of the great hymns of the Church. It is truly a hymn that can be used as a daily meditation. Totally inspiring!

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Emmanuel

Accra, Ghana

Oct 20, 2015

This song always gives me goosebumps.

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Andrew Mendy

Banjul, West Coast Refion, Gambia

Jul 16, 2015

It's really a powerful song, it's my daily meditation before I move out of my house...

I always ask God to speak to me and let me be His instrument in whatever way He desires..

Thank God your lives by putting this great song for me to refresh my spirit each day.

God bless you Hymnal.net.

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Emmanuel

Surulere, Lagos, Nigeria

Nov 8, 2013

Hearing our God speak is a beauty one can't fully comprehend because you continue to discover truth upon truth. His Word is the strongest medium. I love Jesus.

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Moses Prazwal

India

Jun 14, 2013

Not just through the scriptures....God does speak today like He did to Samuel....we can indeed hear His voice! ........the theme of this song I suppose is this.

True devotion and faith and obedience will indeed make us hear His voice!

Master speak Thy servant hearth.....

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Mee

Feb 16, 2012

thank you.

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KeepingHisWordsForever

Columbus, North Dakota, United States

Nov 27, 2008

Our Master does speak. He speaks throughout His Word. When we come to the Word of God, we must turn our heart to the Father, to the Son and to the Holy Spirit in all prayer.

We must love the Father, the Son and the Holy Spirit! We must love the Triune God, and when we come to the words of God with our heart turned, the Spirit, the Interpreter of the Word, will make known to us the Interpretation, which is Christ, the Word of God.

O saints, what unsearchable riches are in the words of God for us; for in every line upon line, precept upon precept the Spirit of Christ speaks to us.

This is the way of true blessing, and true riches. There are wondrous depths of Christ for us to unearth in the Holy Bible, as we diligently labor in prayer by partaking of every word that proceeds out of the mouth of God, which words are our spiritual nourishment.

"Thy WORDS were found and I ate them, and they became the joy and rejoicing of my heart." Such speaking, that is, the words of God, we must hear, and receive in all prayer and our joy will superabundantly overflow as the word of Christ dwells in us richly.

Yes, our Master speaks. Open your Bible today, and hear Him today!

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Kevin Wardley

Newcastle, NSW, Australia

Jan 2, 2005

This Hymn reflects the utter devotion to the Lord which F.R. Havergal exhibited. It reflects the desire I have to serve the Lord. It is the least I can do, in response to Jesus submission, and servanthood for His Father, and to those who who treated Him with contempt....See Deut 15:15-17, Mathew 20:28.

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