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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Dear Savior, Thou art mine

Assurance and Joy of Salvation Saved by Grace

English317
1
Dear Savior, Thou art mine,
How sweet the thought to me;
Let me repeat Thy name,
And lift my heart to Thee.
 
Mine! Mine! Mine!
I know Thou art mine;
Savior, dear Savior,
I know Thou art mine.
2
Thou art the sinner’s friend,
So I Thy friendship claim,
A sinner saved by grace,
When Thy sweet message came.
3
My hardened heart was touched;
Thy pard’ning voice I heard;
And joy and peace came in
While list’ning to Thy word.
4
So let me sing Thy praise,
So let me call Thee mine.
I cannot doubt Thy word,
I know that I am Thine.

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Gary

Meriden, KS, United States

Apr 20, 2023

Zhou Wu, that you for your comment. Very beautiful and inspired. It meant a lot to me.

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Waithera Waithaka

Kitengela, Kajiado, Kenya

Sep 7, 2021

Thank you.

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Hankyeol Eom

South Korea

Sep 7, 2021

What a sweet song

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Zhou Wu

Auckland, New Zealand

Jun 3, 2019

Thank You Lord Jesus for recognising me as Yours and permitting me the Peerless Honour and Glory of recognising You as mine! Who am I to claim You? And yet, God's Word, His Testament, God's Own Will, has given You to me! Without sweat, without labour, without any striving or toil on my part

I closed my eyes last night in a sleep worthy of a Great Sabbath, and opened my eyes to this hymn, and found out that everything I could have hoped and dreamed of, I've found in You. How did this happen?

Thank You Abba Father! Who am I that to me, You have entrusted Your Precious Son? I am not worthy, and yet, You have made me sufficient through Him! He's my Cloak of Righteousness. He's the Sandals on my feet! He's given me the Holy Spirit as the Engagement-Ring upon my finger! And You Are my Marriage Dinner!

How is it that I've been chosen, out of all these? And yet, who am I to say no to my Lord and my God? To You I say YES YES YES! Despising all self chosen lowliness and philosophies and the ways of men! No one can defraud me now! You Are Mine! I claim You dear Lord as my Eternal Fiancé and Bridegroom and Husband! Amen! Hallelujah! The Engagement Contact has been signed! Now all we are waiting for is the Official Marriage Ceremony! Amen! Hallelujah! Praise the Lord! What a happy day!

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Leigh Powell

United Kingdom

Apr 21, 2018

In the gospels, it's not so much as as Jesus so ours, but rather we belong to Jesus. He said, 'he who comes to me I will in no wise cast out', and 'ye have not chosen me but I have chosen you and ordained you that ye should bring forth fruit, fruit that will remain'. Although the two statements do not demonstrate the above premise, they go some way in doing so.

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Beryl Oginga

Nairobi, Kenya

Apr 8, 2018

Lord, You are mine forever.

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Lisa Chiang

Los Angeles, California, United States

Mar 1, 2016

Dear Savior Thou art mine! Lord keep softening my heart that You can save me in Yourself afresh. Every day You're my dear Savior! Oh MY Savior!

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Sarah Klaus

Ozone Park, New York, United States

Apr 10, 2013

What a blessing this hymn has been to me. I sing it in the midnight hours when I can't sleep and it brings me such comfort.

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Kit Har PANG

Kuching, Sarawak, Malaysia

Sep 10, 2012

The lyrics exactly expresses how I feel. Besides, the tune is catchy and the rhythm so full of joy.

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Glenn

Fullerton, CA, United States

May 31, 2012

This is such a sweet hymn penned by the authors. It shows how they, and we need to have such an intimate relationship with our dear Lord. He is truly ours and we are His now and for eternity! Praise Him for His faithfulness in pardoning us for all of our sins and offenses. Yet, time after time, He still accepts us just as we are.

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