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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Speak, Lord, in the stillness

Study of the Word Seeking for the Word

English809
1
Speak, Lord, in the stillness,
While I wait on Thee;
Hushed my heart to listen,
In expectancy.
2
Speak, O blessed Master,
In this quiet hour;
Let me see Thy face, Lord,
Feel Thy touch of power.
3
For the words Thou speakest,
They are life indeed;
Living bread from heaven,
Now my spirit feed!
4
All to Thee is yielded,
I am not my own;
Blissful, glad surrender,
I am Thine alone.
5
Speak, Thy servant heareth,
Be not silent, Lord;
Waits my soul upon Thee
For the quickening word.
6
Fill me with the knowledge
Of Thy glorious will;
All Thine own good pleasure
In Thy child fulfill.
7
Like a watered garden,
Full of fragrance rare,
Lingering in Thy presence,
Let my life appear.

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Jr Parrish

Minneapolis, MN, United States

Nov 17, 2024

Woke up with the first line in my mind and searched for the lyrics. Grateful for the full hymn and the grand reminder that our Lord desires to speak to us in our waiting on him. Thank you.

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Philip Kithome

Nairobi, Eastern, Kenya

Jul 24, 2022

I often like welcoming the sermon in the church with this song, by the time I sing last stanza, I no longer myself but Holyspirit driven vessel

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Dale Harper

Madison, Tennessee, United States

Sep 11, 2021

Oh the that comes when THE MASTER speaks.

Oh the joy and comfort you have when you reach out to touch the MASTER'S hand and realize He already had a hold of you.

Oh HIS Wonderful Touch....

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Anna Hall

Oxford, United Kingdom

Jul 1, 2021

It's moving how she references every sense in expressing her communion with God: hearing his voice, seeing his face, feeling his touch, tasting the bread of life, then the scent of the well-watered garden of her life...

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Florli Nemeth

Surrey, British Columbia, Canada

Jun 25, 2021

This morning on my 83rd Birthday I’m impressed with the phrase “lingering in Thy presence”. When we linger - stay just a little bit longer - He always comes to us in His still, small voice like He did to Samuel the young boy who became the greatest prophet that ever lived. I do NOT aim to be a prophet like Samuel, but I desire to hear the voice of God like he did. All I really desire is to be a lover of God who daily lingers in His presence. His Word is so life-giving!!!

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Myra

Dehiwala, Colombo, Sri Lanka

Sep 13, 2019

We still sing this beautiful thought provoking hymn in our church but to a different tune (Quiet Hour by Alfred B Smith), which is a very simple but contemplative melody. Can be found in a few hymnals, including Great Hymns of the Faith.

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David

Bebington, Wirral, United Kingdom

Aug 8, 2019

Thank you for allowing my comment of yesterday. I have since read some of the other comments and I can say to each of them “Amen! ”

I too have known this hymn since childhood. Somehow yesterday morning the phrase “In the stillness, while I wait on Thee” came to mind (I couldn’t remember the first two words! ) Putting those words into a search box very soon brought up this whole lovely hymn. I’m truly grateful for such a resource! It is a pity that, no, we don’t seem to sing this hymn much now, if at all.

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David

Bebington, Wirral, United Kingdom

Aug 7, 2019

Verse 4 of this hymn:
“All to Thee is yielded;
I am not my own.
Blissful, glad surrender,
I am Thine alone. ”

I read this hymn through and was much blessed. But at the verse above I paused: was I REALLY yielded? Was ALL yielded? Did I really know the bliss of full surrender?

I had to be honest with God and myself. The answer had to be no. An excuse sprang to my lips: ‘Can I EVER be certain of being fully surrendered, this side of eternity? ’ Seemed like a ‘cop-out, ’ however.

Yet the Saviour did say “Come unto Me and rest. ” If it’s not possible to know this bliss in this life... well! So the answer lies with me to respond in love to Him.

Lord, help me to surrender fully!

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Divine

Florissant, MO, United States

Sep 26, 2017

He that has an ear, let him hear, what the Spirit is saying unto the Church!

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Michael A. Longinow, Ph.D

La Mirada, California, United States

Sep 24, 2017

The words of this hymn are like a cool breeze over my weary soul. God is there in the stillness if we will go listening rather than speaking. What refreshment! Thank you for putting these verses up to remind us. How soon we forget.

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