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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Jesus, I have promised

Consecration Serving the Lord

English465
1
O Jesus, I have promised
To serve Thee to the end;
Be Thou forever near me,
My Master and my Friend;
I shall not fear the battle
If Thou art by my side,
Nor wander from the pathway
If Thou wilt be my Guide.
2
Oh, let me feel Thee near me;
The world is ever near;
I see the sights that dazzle,
The tempting sounds I hear;
My foes are ever near me,
Around me and within;
But, Jesus, draw Thou nearer,
And shield my soul from sin.
3
Oh, let me hear Thee speaking,
In accents clear and still,
Above the storms of passion,
The murmurs of self-will;
Oh, speak to reassure me,
To hasten, or control;
Oh, speak, and make me listen,
Thou Guardian of my soul.
4
O Jesus, Thou hast promised
To all who follow Thee
That where Thou art in glory
There shall Thy servant be;
And Jesus, I have promised
To serve Thee to the end;
Oh, give me grace to follow,
My Master and my Friend.
5
Oh, let me see Thy footmarks,
And in them plant mine own;
My hope to follow duly
Is in Thy strength alone.
Oh, guide me, call me, draw me,
Uphold me to the end;
And then to rest receive me,
My Savior and my Friend.

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Yemi Oye

Quito, Pichincha, Ecuador

Oct 13, 2026

This is one of the hymns I cherished while in the secondary school, it inspires me to always look to Jesus, remember His promises and also make sure I abide with my promise to be His for ever. Love it.

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Ataho

Kampal, Kampala, Uganda

Oct 3, 2026

This hymn encourages me, especially during seasons when ministry is difficult and discouragement sets in. It reminds me of the great reward awaiting those who faithfully follow Christ and serve Him with zeal. At the same time, it points me to His abundant grace, which sustains us and carries us through every trial and challenge in ministry.

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Peter-Ojike Okorie

Abia, Nigeria

Sep 28, 2026

Thank you Lord for impressing this great hymn in my heart as I wake up this morning.

Help me Lord to love you unreservedly all the days of my life. I promise to bring you glory with my life as long as I live. You are indeed my Master and my Friend...

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Chigbo Mgbemene

Nsukka, Enugu, Nigeria

Jul 5, 2026

Very powerful words. May the Lord's name be praised.

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Fidelis

Nigeria

Jun 14, 2026

Edifying and soothing song (Hymn 606) this Sunday morning 14/06/2026.

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Ifeanyi Odinanwa

Port Harcourt, Rivers, Nigeria

Jun 12, 2026

This song is a soothing to my soul" This song is pure therapy for my soul. Its melody and lyrics bring me peace every time I listen to it."

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Lindiwe Dube

Canada

May 13, 2026

Morning assembly at Tennyson Primary School, wonderful memories of this lovely hymn!!

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Emma Chinguwo

Blantyre, Malawi

Apr 19, 2026

One of the best.... used to sing it at school some 28 years ago, this week it just came back in my head... Thank you God for bringing this song back to me

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Elrona

Scarsdale, New York, United States

Apr 16, 2026

This song came ringing in my ears last night.

I was taught this song in Kingston Jamaica West Indies many years ago. I could not remember all the words so I decided to google what I remembered, and God be praised I found it.

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Omolola

Akure, Nigeria

Apr 10, 2026

As soon as I woke up this morning this was the song on my lips so I decided to look for the lyrics and pray with it. Thank you Jwsus

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