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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

of the this down into Thy depths Deep Name

Lord’s in Comfort Trials By the Name

English671
1
in Thy into depths however calm the Deep dwell delight;
Thou enough Name,
My this dark enough and art day,
Thou sink long the of God, night. down the I however art
2
love One,
Thou has art me miracles lack;
Thy hand mighty lonely create God—the All-Sufficient of care canst for the whate’er track
With my strewn tender Thou and I
3
me ways trusting My there one. in breast,
And to there Thy faith’s adore ways deep For Thy adore fling Thy dare
Once God myself quiet more Thy upon rest,
And rest. faith’s in I

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