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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Nearer, my God, to Thee

Experience of God Fellowship with Him

English614
1
Nearer, my God, to Thee,
Nearer to Thee;
E’en though it be a cross
That raiseth me,
Still all my song shall be
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.
2
Though, like a wanderer,
The sun gone down,
Darkness comes over me,
My rest a stone;
Yet in my dreams I’d be
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.
3
There let me see the sight,
An open heaven;
All that Thou sendest me,
In mercy given;
Angels to beckon me
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.
4
Then, with my waking thoughts
Bright with Thy praise,
Out of my stony griefs
Bethel I’ll raise,
So by my woes to be
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.

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Anas Laoli

Malang, Jawa Timur, Indonesia

Mar 15, 2025

After hearing this song, I experienced restoration in serving God and gained strength to continue praying and walking with God.

Thank you for sharing this song, I really receive grace and blessings from God.

Humans, even those closest to me, sometimes bring me down, belittle me, and lead me astray and even leave me when life is hard and I have no wealth. But God's mercy remains forever.

Let this praise I offer be a hope and a definite commitment to Jesus.

Soli Deo Gloria

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Areli

Feb 25, 2025

Thank u
For the lyrics
Love the song btw

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Edna Williams

San Jose, CA, United States

Oct 7, 2024

Hallelujah this came to me as I was walking this morning.

Humming it crying as I praise the Lord.. the old songs are the best 🙌🏾🙌🏾💚

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Jessry Oboya

Juba, Central Equatoria, South Sudan

Mar 29, 2024

What a touching Hymn, it brings comfort and inner peace. thanks for those who shared the story behind it, and may God continue resting in peace the souls of the authors and composers.

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Torach Jimmy

Kampala, Uganda

Feb 8, 2024

Tears roll over my face, when ever am reminded that he is always with me even in the moments I turned away from him, he was always there for me.

This song has always been my turning point even in the darkest days of my life. Thank you God.

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Ana Lara

Storrs, Connecticut, United States

Jan 25, 2024

“Nearer My God to Thee” was written by British actress, poet, and hymn writer, Sarah Flower Adams, who lived in the early 1800s. Her sister Eliza wrote the original music shortly after Sarah’s performance in London’s 1837 play, “Macbeth, ” where she received excellent reviews. Her desire was to continue with the theater but frail health put an end to her plans. And so she took to writing poems and hymns. Sarah’s pastor was visiting the Adams family one afternoon and mentioned that he was having difficulty in finding a hymn that represented his next week’s sermon, taken from Genesis 28 which recounted Jacob’s dream. Sara spontaneously volunteered to write a hymn for the service. Within a week, “Nearer my God to Thee” was composed. This beautiful hymn spoke to many Christians, and even found its way to the theater that Adams so dearly loved. The song has been sung in several Hollywood films, including the Academy, Award winning films, “San Francisco, ” and “Titanic. ” One Canadian survivor of the 1912 Titanic tragedy recalled that the band played “Nearer my God to Thee” as the ship was sinking. In addition to writing this hymn, the sisters wrote 13 texts and 62 tunes for a hymnal which was published in 1841. The song did not gain great, popularity until it was later joined with the current tune, composed, especially for the text by Lowell Mason, who is sometimes known as the father of American church music. Sarah‘s sister Eliza, who was suffering from tuberculosis, died in 1846. Sarah had faithfully cared for her sister during the illness, but by the time Eliza died, Sarah, too, was showing signs of the disease. She herself passed away in 1848, at age 43. This hymn is associated with two US presidents: It was played as President James Garfield‘s body was laid to rest in 1881 and President William McKinley said that this was his favorite hymn. The hymn was sung across the land in 1901. “Nearer my God to Thee” has been used to bring spiritual comfort and blessing to many-a-believer as it expresses the common yearning of His children to know God, and to experience His presence and victory.

L. Codington

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Highly Favoured

Jan 19, 2024

i would like to be nearer my God to thee

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Kiprop Brian.

Kimnai, Rift Valley, Kenya

May 25, 2023

All I say is Amen.

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Anonymous

Mt.Zion/Jerusalem, State Of Peace

Mar 17, 2023

🌺 much thanks 🌺 fr sisteregina k

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Joseph Githae Gitaka

Nairobi, Kenya

Sep 22, 2022

A very spiritually nourishing song

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