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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Nearer, my God, to Thee

Experience of God Fellowship with Him

English614
1
Nearer, my God, to Thee,
Nearer to Thee;
E’en though it be a cross
That raiseth me,
Still all my song shall be
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.
2
Though, like a wanderer,
The sun gone down,
Darkness comes over me,
My rest a stone;
Yet in my dreams I’d be
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.
3
There let me see the sight,
An open heaven;
All that Thou sendest me,
In mercy given;
Angels to beckon me
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.
4
Then, with my waking thoughts
Bright with Thy praise,
Out of my stony griefs
Bethel I’ll raise,
So by my woes to be
Nearer, my God, to Thee,
Nearer, my God, to Thee,
Nearer to Thee.

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Jim Smith

Mansfield, Ohio, United States

Oct 3, 2026

Sarah Fuller Flower Adams (1805-1848) was an English poet and playwright renowned for her contributions to literature and music, particularly in the context of religious hymnody. Born to Benjamin Flower, a political writer, and Eliza Gould Flower in Harlow, Essex, she displayed artistic talents from a young age, performing dramatic readings and singing classical music. After moving to London, she engaged with a circle of intellectuals and reformers, cultivating significant friendships with figures such as Robert Browning and Harriet Martineau.

Adams is perhaps best known for her hymn "Nearer My God to Thee," written at the age of twenty-one, and she composed a total of fourteen hymns, alongside translations of Spanish and Portuguese works. Her marriage to fellow writer William Brydges Adams supported her literary pursuits, but her health declined in the late 1830s, which ultimately led her to focus more on writing than acting. Despite her struggles with health, she produced notable works, including the five-act dramatic poem "Vivia Perpetua." After the death of her sister Eliza and her own deteriorating condition, Adams ceased writing, and she passed away from tuberculosis in 1848. Her legacy endures through her hymns, plays, and the impact she had on the literary and artistic communities of her time.

Authored by: McDonald, Roxanne

This hymn is a deep inspiration of a young sister. This alludes to Jacob‘s first trip to Bethel where he saw the ladder to heaven and rested his head on a rock. We know this is a picture of Christ connecting us to God. It is here Jacob rested in the realization he had a relationship with the God of his father. And it is here that he realized the nearness of God.

This hymn mirrors my feeling this morning that of wanting to be nearer to the Lord regardless of my situation. He is my nearest and dearest friend.

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Cindy Janicek

Franklin, KY, United States

Dec 31, 2025

In reply to Gideon Raymond from Juaso, Ashanti Akim South Ghana; August 30, 2018:

You ask why our woes are still chasing us. Our woes chase us because we still living in the flesh, we are not glorified until we stand before the Lord in Heaven. In this life Christians will suffer from sickness, pain, and trials unending. Just as Christ suffered when He died a horrible death on the cross for our sins, we too will suffer as long as we are living on this side of heaven. The challenges of this world end when we take our last breath; until then our woes will not stop chasing us. True peace is not the absence of trials and challenges, it is simply being aware of God’s presence in our life. We get through this life by staying close to the Lord moment by moment of every day; keep singing and reciting Nearer My God to Thee, the lyrics are a soothing balm to our souls.

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Abigail

Abuja, FCT, Nigeria

Nov 28, 2025

Draw me nearer to the Lord

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Kevin Ekperedire

Apapa, Lagos, Nigeria

Nov 23, 2025

Draw me nearer to you Lord.

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Fyne Erekaha

Port Harcourt, Rivers State, Nigeria

Nov 15, 2025

I am nearer to the end of my Christian journey than when I began in 1976. These are my days to go nearer to the LORD. My spirit yearns to go closer, this this hymn this morning. My soul is truly elevated seeking for a higher plane with my Maker- EL -ROI!!!! , The God that sees and knows all my struggles through life's journey. Show me mercy O LORD!!!!!!.

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Ayo Oluwa

Ikeja, Lagos, Nigeria

Sep 29, 2025

LORD please draw me nearer to You DAILY

Amen

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Davina Adolphus

Ojo, Lagos, Nigeria

Jul 20, 2025

Amen!

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June

Jun 9, 2025

Lovely song amazing

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Gregory

Bengaluru, Karnataka, India

May 13, 2025

We Christians in India when sad things occur in our families.

During our Independence day in India the military band used play this hymn 70 years. Now the Hindu government stopped it.

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Segun Kuti-George

Ogba, Lagos, Nigeria

May 3, 2025

O Lord, I desire to be nearer to You indeed. Please help me so to be Lord Jesus. In Your Mighty Name I pray.

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