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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I have learned the wondrous secret

Experience of Christ Abiding in Him

English564
1
I have learned the wondrous secret
Of abiding in the Lord;
I have tasted life’s pure fountain,
I am drinking of His word;
I have found the strength and sweetness
Of abiding ’neath the blood;
I have lost myself in Jesus,
I am sinking into God.
 
I’m abiding in the Lord
And confiding in His word;
I am hiding in the bosom of His love.
Yes, abiding in the Lord
And confiding in His word,
I am hiding in the bosom of His love.
2
I am crucified with Jesus,
And He lives and dwells with me;
I have ceased from all my struggling,
’Tis no longer I, but He.
All my will is yielding to Him,
And His Spirit reigns within;
And His precious blood each moment
Keeps me cleansed and free from sin.
3
All my sicknesses I bring Him,
And He bears them all away;
All my fears and griefs I tell Him,
All my cares from day to day,
All my strength I draw from Jesus,
By His breath I live and move;
E’en His very mind He gives me,
And His faith, and life, and love.
4
For my words I take His wisdom,
For my works His Spirit’s power;
For my ways His ceaseless presence
Guards and guides me every hour.
Of my heart, He is the portion,
Of my joy the boundless spring;
Savior, Sanctifier, Healer,
Glorious Lord, and coming King.

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Sister Ma

Beijing

Mar 10, 2019

I am abiding in the Lord!

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Tom

Milwaukee, United States

Nov 17, 2018

Wow. This song speaks of a life I don't yet know how to live. A life that is just Christ and only Christ. Not Christ-like. Not empowered by Christ. Not lived next to Christ. But Christ. Christ only. Clearly the life Paul speaks about in Philippians when he says "To me, to live, is Christ" and Watchman Nee expounds upon in the "Overcoming Life", and Charles Trumbull eloquently explains in his little essay "The Life that Wins" - a most amazing essay. "For my ways his ceaseless presence guards and guides me every hour. " How many of us can honestly say that? I can't. How many of us honestly desire that? I do. So where is the disconnect??? If we desire it, and God clearly wills it, why do we not live it? Is Christ not more than a match for our flesh? Did he not put our flesh to death on the Cross? Do we not believe this is true? Yes, most of us do believe all these things. So why is this not automatic? I believe the key is in the other place the word "cease" is employed in this song, in verse 2. "I have ceased from all my struggling, tis no longer I but he." That ceasing leads to Christ's ceaseLESS presence. I will speak for myself now: I love my "good works" (even though I agree mentally with the Bible that they are filthy rags) too much and have not allowed Christ to make a full replacement. I have not taken action according to my beliefs. I try to help Him a little here and there, so that He and I are still two, not one. As Brother Nee says, I have not moved out of my abode fully. How can you move out of your own abode? By coming to a completely different level of trust in Jesus that only the Holy Spirit can impart to you. This is the meaning of "I am the alpha and the omega", and "revelation from faith to faith". It all starts with HIS faith in us, not ours, and it continues from there. Yet I make it MY faith. Then I wonder why I struggle. But it's obvious isn't it? I want to help God with his gift to me of Christ, but works nullify grace, don't they? It's all him, from beginning to end. We just trust that like a little child and rejoice infinitely in this gift of life. To quote Trumbull "Oh, Mr Trumbull, if we would just step out more boldly in faith upon Christ, he could do so much more for us." In the end is a matter of trust, trusting God fully, as Jesus did and still does in us, if we are willing to let him in all the way.

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Dasha Chong

Round Rock, TX, United States

Jul 29, 2018

I have lost myself in Jesus! I am sinking into God!

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Prem

Guntur, Andhra Pradesh, India

Jun 10, 2018

Amen abiding in You Lord Jesus.

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Renyta Suwuh

Austin, Texas, United States

Mar 7, 2018

Hallelujah we have learned this wondrous secret!

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Jessica

Richmond, BC, Canada

Jan 11, 2018

All my fears and griefs I tell Him,

All my cares from day to day,

“In nothing be anxious, but in everything, by prayer and petition with thanksgiving, let your requests be made known to God” (Phil. 4:6). Hence, if you have some problem, you just need to tell Him. ... This is to live Christ. Those who do not know this secret consider to live Christ a difficult thing. Actually, you just need to practice speaking with the Lord constantly; then spontaneously you will live Christ.

("The Organic Aspect of God's Salvation, p. 55)

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Stephen

Madison, WI, United States

May 16, 2013

Just keep playing the same chord until it sounds bad, then switch :)

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Tara

Dallas, TX, United States

Mar 10, 2012

@Andrew & anyone else interested: the guitar chords listed are from the original score, not written for guitar. A lot of times, simplify the chords by playing one per measure, whichever chord makes sense with the most notes. So, start on D, until the word abiding (v1), which is G, then D next measure.

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Andrew

Charlottesville, Va

Nov 11, 2011

Love the song, but I was wondering, can y'all lower the amount of chords for the guitar, not just on this song but on all? Just seems like there are way too many chords in the song, doesn't sound right.

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Jonathan Pafford

Charlotte, NC, United States

Aug 9, 2011

For my ways His ceaseless presence guards and guides me every hour. "Lord may everything we do and say issue from living in Your sweet presence."

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