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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus only is our message

Experience of Christ As Everything

English511
1
Jesus only is our message,
Jesus all our theme shall be;
We will lift up Jesus ever,
Jesus only will we see.
 
Jesus only, Jesus ever,
Jesus all in all we sing,
Savior, Sanctifier, and Healer,
Glorious Lord and coming King.
2
Jesus only is our Savior,
All our guilt He bore away,
He, our righteousness forever,
All our strength from day to day.
3
Jesus is our Sanctifier,
Saving us from self and sin,
And with all His Spirit’s fullness,
Filling all our hearts within.
4
Jesus only is our Healer,
All our sicknesses He bare,
And His risen life and fullness,
All His members still may share.
5
Jesus only is our Power,
He the gift of Pentecost;
Jesus, breathe Thy pow’r upon us,
Fill us with the Holy Ghost.
6
And for Jesus we are waiting,
List’ning for the Advent Call;
But ’twill still be Jesus only,
Jesus ever, all in all.

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Brother Wong

Utah, United States

Oct 7, 2026

I used to sing this many times at church in Chicago. I haven't sung this hymn in ages after moving to a small locality, but suddenly this melody was lingering in my head this morning. Praise the Lord, Jesus only, Jesus ever, Jesus all in all we sing, Saviour, Sanctifier, and Healer, Glorious Lord and coming King.

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Oluwakemi Kobru

Indianapolis, Indiana, United States

May 21, 2026

Long time, back in the days I knew this inspirational song when I attended Dipper life with a co-tenant. I have always sing it whenever I seek God for direction, healing, power and deliverance . The song shows the existence of our Lord Jesus Christ like He is in body and spirit form right beside me when I sing it I usually get a relief in it Let God be exalted . Praise to God , Hallelujah!

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Comfort Kemi Ojo

Ibadan, Oyo, Nigeria

Nov 15, 2025

Thank be to God for this old song that always inspiring whenever it sang. It just came to me as I was praying today, that Jesus is all I have. I searched it , found it and sang it with joy

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Olatunji Olawale

Ijebu-ode, Ogun State, Nigeria

Nov 2, 2025

A most blessed song of review

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Greatgrace

United States

Jun 29, 2025

Thank God for this song I like this song from The United States

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David Oluwagbotemi

Port Harcourt, Rivers State, Nigeria

Mar 20, 2025

Jesus Only is the message of hope and redemption

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Elijah Adejimi

Ibadan, Oyo State, Nigeria

Feb 28, 2025

I have cherished this hymn since I was a child in the church under the ministry of W. F Kumuyi, the import have come so much alive as I grew up. Jesus is my all in all, and He is indeed all in all all through generations and eternity. In him I am complete, and without Him, I am nothing.

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Gideon Ayandele

Stockton-On-Tees, Middlesbrough, United Kingdom

Jan 13, 2025

I fell in love with the song yesterday that I heard this hymn for the first time in Church here in UK

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Akande Arinola Iyabowale

Iyesi, Ogun State, Nigeria

Jan 9, 2025

This is a powerful hymn since the first time I heard it in I think 1991. I am able to see my mission in it so I adopted it as my family hymn and my mission hymn ( helping all people of all gender where I can especially the emotionally battered ) Jesus only is my message.

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Olayiwola Kayode

Ibadan, Oyo, Nigeria

Dec 24, 2024

Jesus only is our message

Is a song of great acknowledgement to the Lordship of Christ

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