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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Love, that wilt not let me go

Consecration Constrained by the Lord’s Love

English432
1
O Love, that wilt not let me go,
I rest my weary soul in Thee;
I give Thee back the life I owe,
That in Thine ocean depths its flow
May richer, fuller be.
2
O Light, that followest all my way,
I yield my flickering torch to Thee;
My heart restores its borrowed ray,
That in Thy sunshine’s blaze its day
May brighter, fairer be.
3
O Joy, that seekest me through pain,
I cannot close my heart to Thee;
I trace the rainbow through the rain,
And feel the promise is not vain
That morn shall tearless be.
4
O Cross, that liftest up my head,
I dare not ask to fly from Thee;
I lay in dust life’s glory dead,
And from the ground there blossoms red
Life that shall endless be.

The author was inspired to write this hymn in 5 minutes during a time of distress.

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Mary

Hertfordshire, United Kingdom

Aug 17, 2014

Brought up in a Methodist manse, I grew up singing hymns like this. Feels much more meaningful now that I'm older. Oddly, it was reading Colin Dexter's "Death is Now my Neighbour" that prompted me to look this up. Thank you, Mr Dexter!

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Brinley Morgan

The Village Of Raglan, Monmouthshire, Wales, NP15 2EN

May 17, 2014

This beloved hymn is our Morgan Family hymn, sung at many weddings and funerals. It will be sung next at the funeral of our beloved Mam, Dorothy May, nee Brinning, (1913-2014) in Caerphilly, near Cardiff, where she will join Ernest Leslie Morgan (1912-1963). She earnestly wanted this hymn to be sung at this final goodbye, along with "The Day Thou Gave'st Now Is Ended". Farewell Dear Soul, Dear Mam. XXXX

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Nelson Liu

Irvine, CA, United States

Jan 6, 2014

O Love! O Light! O Joy! O Cross!

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Jeanne

Canyon Lake, TX, United States

Nov 23, 2012

The music and lyrics of this beautiful hymn perfectly express the love of Our Lord Jesus...so much so that it always brings tears of perfect peace.

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Don Smith

Rupert, West Virginia, United States

Oct 16, 2012

This most lovely hymn brings a satisfaction to my heart that none other has. Thank you for this beautiful example.

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Henry Francis B. Espiritu

Cebu City, Cebu, Philippines

Dec 5, 2011

This comforting hymn tells us of the hope we have IN the Beloved. The Scriptures declared that a lowly grain, in order to bring much harvest, must die first to live a fuller and more productive Life. Praise God that IN the Beloved, we are safe and secure and we are with the Beloved come what may--from life to Life! Our life on earth is only a shadow of a much richer Life--only if we are IN the Beloved! Praise God for this confidence that my life is loved by the Beloved; with a "Love that will never let me go". His Love does not diminish despite my shortcomings; for His "love will never me go". May the Lord capture our hearts to see what privilege we have IN the Beloved. Oh God who allowed my ordinary existence to flow back to the depths of this Ocean of Love, I gave my life to Thee. Praise the Beloved because we do not have to fear death. Why should a lowly stream fear in merging with the depths of the Ocean of Love, Who is God Himself? Hallelujah for this assurance! Our flickering life will be returned back to the blazing Sun of Reality, Who is the Beloved Himself! Why should a flickering torch be afraid of the Sunshine's blaze? I really love this hymn because it puts in proper perspective that our passing away on this earth is actually a passage to Life Everlasting. If I have the Beloved in my spirit, even though "I lay in dust life's glory--dead", but "from the ground there blossoms red; Life that shall endless be"! In death, we will be planted as one of the beautiful roses in God's Eternal Garden! Why should I fear death? When did I become less by dying? "Oh Joy that seekest me through pain, I cannot close my heart to Thee; I trace the rainbow through the rain, and feel the promise is not vain that Morn shall tearless be". Why should I fear the darkness of the night when after the innermost darkness is the reddish dawn of a new Day? Hallelujah! What a glorious promise that will be fulfilled by and IN the Beloved! Oh glorious Day, indeed! Amen.

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Atho Costumé

Samana, Rep Dom, Haiti

Nov 15, 2011

This is a lovely song! It's very sweet for my soul. I see the Love of JESUS my Savior through these words and this music!

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Jingzi

BJ, China

Feb 12, 2011

Psalms 30:5 For His anger lasts but a moment, His favor, a lifetime; Weeping may linger in the evening, But a ringing shout goes up in the morning.

Thank You my dearest Lord. You bound up the wounds of the brokenhearted me.

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Frank Pytel

Chicago, Illinois, United States

Nov 18, 2010

Although the One that attracts us is not mentioned by name in this hymn, anyone who loves Him knows who He is! When Mary visited the tomb and spoke to the One who she thought was the gardener, she referred to the One she was seeking and loving as HIM (John 20:15)! When He gives Himself to us, there is a longing to give back to Him! "We love because He first loved us."

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Gail Seward

Baltimore, MD, United States

Oct 2, 2010

I love this hymn because it always reminds me that my pain is nothing compared to His and that one day my pains will cease because of Him and what He has done for me.

Thank You Jesus!

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