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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I will sing the wondrous story

Assurance and Joy of Salvation A Wonderful Savior

English337
1
I will sing the wondrous story
Of the Christ who died for me,
How He left His home in glory
For the cross of Calvary.
 
Yes, I’ll sing the wondrous story
Of the Christ who died for me,
Sing it in the light of glory,
Sing it through eternity.
2
I was lost, but Jesus found me,
Found the sheep that went astray,
Threw His loving arms around me,
Drew me back into His way.
3
I was bruised, but Jesus healed me;
Faint was I from many a fall;
Sight was gone, and fears possessed me,
But He freed me from them all.
4
Days of darkness still come o’er me,
Sorrow’s paths I often tread,
But the Savior still is with me;
By His hand I’m safely led.
5
He will keep me till the rapture,
Day by day He’ll wash my feet,
And will transform all my nature
That in glory we may meet.

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Joseph Duruibe

Owerri, Imo State, Nigeria

Nov 21, 2024

Tis very comforting to know that after this hard toil on earth, we will one day live forever with him in glory - where the sun will never set again.

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Benjamin Ngua

Nairobi, Kenya

Nov 13, 2022

Then He will bear me safety over where the loved ones I shall meet.

Oh God help me to witness this in your kingdom on that day.

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Pey-Jing Mehrinfar

San Marcos, TX, United States

Oct 31, 2022

Days of darkness still come o’er me,
Sorrow’s paths I often tread,
But the Savior still is with me;
By His hand I’m safely led.

Lord Jesus, we need You as our Savior to rescue us from all darkness and sorrow. Transform all our nature that in glory we may meet. We want to meet you face to face.

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Conshad

Prince George, Virginia, United States

Nov 15, 2021

...  He left His home in glory

  For the cross of Calvary.

YESHUA thank you for salvation. You are the perfect sacrifice that takes away the sins of the world.

That evening before the Passover, the children of Israel applied the blood of the sacrificed lamb to the lintel and door post of their houses to be protected from the angel of death. Likewise, we have to stay under the cover of YESHUA to be save from the evil one.

Thank You Father for sending the perfect sacrifice- Your SON.

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Muyiwa A

Leicester, Leicestershire, United Kingdom

Mar 17, 2021

Lord Jesus. Help our life to flow by your power presence and peace, and not to stagnate.

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Babajide

Abuja, FCT, Nigeria

Jul 18, 2020

He will keep me till the river
Rolls its waters at my feet;
Then He'll bear me safely over,
Where the loved ones I shall meet.

The above is the original verse 5. Don't know why it was so wrongly changed

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Ashley Royal

Holden Beach, NC, United States

Apr 26, 2020

My father, 96 years old, coming out from under anesthesia from a procedure that ultimately diagnosed terminal cancer, sang every verse of this sacred hymn from memory. If ever one questions the presence of Jesus in the midst of the valley of death, I have witnessed His loving grace for His own! Jesus spoke to us as we listened and told us I am here, and I love you for eternity. Welcome home Daddy! ❤️

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Francis Y Chow

Anaheim, California, United States

Apr 3, 2020

I was lost, but Jesus found me

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Leah Webb

Mar 19, 2020

Lovely song

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Ana Lara

United States

Feb 23, 2020

Francis H. Rowley was born in Hilton, New York, on July 25, 1854. Later he became a Baptist minister and served churches in Massachusetts, Pennsylvania and Illinois. He has given the following account for the writing of this hymn:

I was a minister of the Baptist Church in North Adams, Massachusetts in 1886. The church and community were experiencing a period of unusual interest in religious matters, and I was assisted by a remarkable young Swiss musician by the name of Peter Bilhorn. One Sunday following the evening service he said, “Why don’t you write a hymn for me to set to music? ” During the night these verses came to me. The original poem began “Can’t You Sing the Wondrous Story? ” However, when the song was first published by Ira Sankey in 1887, the phrase was changed to “I Will Sing... ”

Peter P. Bilhorn was born in Mendota, Illinois, in 1865. With the death of his father, Peter was forced to quit school at the age of eight to help support his family. At the age of fifteen his family moved to Chicago. His voice became famous in concert halls and among his worldly friends. When he was twenty he came to know Christ as his Savior at a meeting given by Dr. Pentecost and musician George Stebbins. After his conversion, he was greatly used of the Lord in the way of Christian service.

The organ he used for playing during services was a small folding one with his name on it. He engineered it because of the need to play while traveling around. He had designed it to weigh 16 pounds and to fold easily . Later he began to manufacture it in 1887. The venture proved to be very successful and the organs were widely used all over the world.

Bilhorn wrote around 2, 000 gospel songs. This hymn is one of his finest compositions. He is also the author and composer of “Sweet Peace, The Gift of God’s Love. ” His evangelistic ministry carried him into all of the United States, Great Britain, and to other countries around the world.

Bilhorn was not only a skillful songwriter and leader but also an earnest soul-winner. One night, while conducting revival meetings in Reedsburg, Wisconsin, he retired to his room but later felt strangely compelled to dress, take his folding organ, and start walking down the street, even though the weather was bitterly cold. Seeing a gleam of light from a basement window, he knocked and was allowed to come in. He found a group of men gambling. Bilhorn began to sing to the men. “Where is My Wandering Boy Tonight? ” Six of them made their peace with God that night.

“I Will Sing the Wondrous Story” was presented by Rowley and Bilhorn to Ira D. Sankey as a gift. Sankey was so impressed with the value and usefulness of this hymn that he published it in the 1887 edition of “Gospel Hymns and Sacred Songs and Solos. ” It became one of the most popular songs of his collection.

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