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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I will sing the wondrous story

Assurance and Joy of Salvation A Wonderful Savior

English337
1
I will sing the wondrous story
Of the Christ who died for me,
How He left His home in glory
For the cross of Calvary.
 
Yes, I’ll sing the wondrous story
Of the Christ who died for me,
Sing it in the light of glory,
Sing it through eternity.
2
I was lost, but Jesus found me,
Found the sheep that went astray,
Threw His loving arms around me,
Drew me back into His way.
3
I was bruised, but Jesus healed me;
Faint was I from many a fall;
Sight was gone, and fears possessed me,
But He freed me from them all.
4
Days of darkness still come o’er me,
Sorrow’s paths I often tread,
But the Savior still is with me;
By His hand I’m safely led.
5
He will keep me till the rapture,
Day by day He’ll wash my feet,
And will transform all my nature
That in glory we may meet.

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Philip Byler

Epworth, GA, United States

Jun 16, 2019

The change to the fifth verse is an affront to every individual who holds a biblical belief that differs with the "pre-trib 'rapture' point of view..." com-on. This is not how the song was written. I'm disappointed.

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Jean Patience

Kolwezi, Lualaba, Democratic Republic Of Congo

May 9, 2019

I trust Him. He will keep me till the rapture, by His grace. Amen and glory to Your Holy Name O Lord Jesus....

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Jrod

United States

Jul 28, 2018

You missed the mark on that last verse.

The old version I know reads: He will keep me till the river Rolls its waters at my feet; Then He’ll bear me over Where the loved ones I shall meet.

If we are going to do it, let God’s Childern, Saved by Grace through Faith, do it Right

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Steve Miller

Detroit, MI, United States

Feb 16, 2015

They shall share the story of Thy wonderful goodness. They will sing with joy of Thy righteousness. - Psalm 145:7

"There are many ways to share "the wondrous story." Some speak it, some sing it, and some paint it: but God asks all of us, with His help to live it. When we show our love for Christ through our daily activities, we are truly singing the story "with the saints in glory."

To sing the story, we need the gift of our Savior's presence. Even though He is back in glory, Christ continues - through the Holy Spirit - to be with those He came to save. He takes us by the hand and leads us safely through the "days of darkness" that come now and then.

Christ is not only with us but has also remained righteous, just like His heavenly Father. What joy that puts into our song! As Jesus' righteousness shines through us, we can point others to the Father.

Dear God, I praise You for Scriptures and songs about Your love. Thank You for the opportunity to sing Your story through my daily living. Thank You, Jesus, for holding me by the hand, especially when everything seems dark and unsafe. Keep me singing about You and Your righteousness." - Betty Free Swanberg in "How Sweet the Sound" by George Beverly Shea

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PS

United Kingdom

Jan 2, 2015

Blaenwern is the popular tune in Wales.

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Jacob

Kansas, United States

Jun 25, 2014

I've always heard this one to the tune of Hyfrydol. Then again, I am a United Methodist Organist.

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Rod Randolph

W, NC, United States

Jan 29, 2014

While the piano is lovely, a pipe organ or even grand piano would add much to your effort.

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Steve Miller

Detroit, MI, United States

Jul 10, 2013

Twenty-one year old Peter Bilhorn approached Pastor Francis Rowley one Sunday night after the evening service. The year was 1886; the place was North Adams, Massachusetts. Young Bilhorn had been converted the previous year, and already he was using his musical talents for the Lord. "Why don't you write a hymn for me to set to music?" he asked Pastor Rowley.

Rowley's response was this gospel song, which originally began "Can't you sing the wondrous story?" [Ira Sankey changed it.] For Bilhorn, who was a singer as well as a pianist and organist, it was an ideal personal testimony. As an unconverted teenager, he had started his music career singing in Chicago taverns. He understood the line "I was lost but Jesus found me - found the sheep that went astray."

Bilhorn went on singing the wondrous story the rest of his life, writing 2,000 songs. - Great Songs of Faith by Brown & Norton

The original last 2 lines of the chorus are:

Sing it with the saints in glory,
Gathered by the crystal sea.
The original last stanza is:
He will keep me till the river
Rolls its waters at my feet;
Then He'll bear me safely over,
Where the loved ones I shall meet.

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Chawanangwa.Ngwira

Lilongwe, Central, Malawi

Mar 30, 2012

This hopeful wonderful song is a 2012 song for camp meeting and am happy about it. We will sing it more than once and get blessed with it

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david kirwa

Chicago, United States

Oct 24, 2008

What a beautiful reminder of Christ's love. A story of salvation. Indeed I will sing the wondrous story of Christ who died for me.

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