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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Oh, from myself deliver

Fullness of the Spirit By the Cross

English280
1
Lord, may Thy blood now cleanse me,
Wash all my sins away,
That with Thy Holy Spirit
Thou may anoint, I pray.
My service, I confess, Lord,
Is failure-full and weak;
The filling of Thy Spirit
To live for Thee I seek.
 
Oh, from myself deliver,
From all its misery;
I’d henceforth be forever
Completely filled with Thee.
2
Oh, Lord, how dry my heart is,
It yearns and pants for Thee;
The filling of Thy Spirit
Is now my fervent plea.
Within the smitten Rock, Lord,
I would entirely hide;
Pour thru Thy living water,
Till I am satisfied.
3
How cold my heart has been, Lord,
How slow obeying Thee;
So fill me with Thy Spirit,
I’ll ne’er rebellious be.
I lie upon Thy altar
And dare not move away;
Oh, may Thy flame descending
Consume my all, I pray.
4
Oh, may Thy Cross within me
Deepen its work and burn
In me enlarge Thy measure,
And me to ashes turn.
Oh, may Thy Spirit fill me
Each day more than before,
And may Thy living water
On me and thru me pour.

Copyright Living Stream Ministry. Used by permission.

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Bethel

Oroquieta City, Misamis Occidental, Philippines

May 13, 2020

Lord Jesus, I still love You.

Read more
Mario Shaffer

Irvine, CA, United States

Feb 7, 2019

By singing this hymn, The Holy Spirit uses the words of this hymn to conquer and subdue our inward parts that are not aligned with the inward parts of Christ. Because we are not yet mature to fully open our being to obey the leading of the indwelling Spirit and we still live in our flesh and are waiting for the redemption of our body. This hymn causes us to surrender all by melting our inward parts to be remolded into His shape to reflect Christ to others by partaking of the divine nature to live Christ and escape the corruption Of our lusts. Singing this hymn has a subduing effect on our being by matching our longing to escape the misery of living in our self by expressing the desires of the self always which leaves us miserable with the need of experiencing the deeper cross experienced our brother Watchman Nee.

Read more
Glory Jung

Anaheim, CA, United States

Oct 1, 2018

As we come to know the significance of leprosy, we must praise the Lord and thank Him from our heart for the salvation that He has prepared.

Read more
Anonymous

Nashville, Tennessee, United States

May 1, 2018

I appreciate this song because it is like a detox. When we first believed we partook of God’s life and nature. Then as we go through our Christian life we enjoy all the riches of Christ as the Spirit. Eventually we see how sick and poisoned we are in our self. Then the cry from this realization is expressed in the chorus, “Oh from my self deliver from all it’s misery... (Then running into the Lord’s arms) ; I’d henceforth be forever Completely filled with Thee. ” Thank You Lord! Praise the Lord!

Read more
Sandy

AZ, United States

Apr 3, 2018

1 Lord, may Thy blood now cleanse me,
Wash all my sins away,
That with Thy Holy Spirit
Thou may anoint, I pray.
My service, I confess, Lord,
Is failure-full and weak;
The filling of Thy Spirit
To live for Thee I seek.

Chorus
Oh, from myself deliver,
From all its misery;
I’d henceforth be forever
Completely filled with Thee.
2 Oh, Lord, how dry my heart is,
It yearns and pants for Thee;
The filling of Thy Spirit
Is now my fervent plea.
Within the smitten Rock, Lord,
I would entirely hide;
Pour thru Thy living water,
Till I am satisfied.
3 How cold my heart has been, Lord,
How slow obeying Thee;
So fill me with Thy Spirit,
I’ll ne’er rebellious be.
I lie upon Thy altar
And dare not move away;
Oh, may Thy flame descending
Consume my all, I pray.
4 Oh, may Thy Cross within me
Deepen its work and burn
In me enlarge Thy measure,
And me to ashes turn.
Oh, may Thy Spirit fill me
Each day more than before,
And may Thy living water
On me and thru me pour.

Read more
Sarah Rolofs

Ochtrup, Munster, Germany

Jan 22, 2018

O dear Lord, deliver me; from myself; draw me closer, my Lord. What a lovely hymn; the words really fit:

I praise and love You my heavenly Father. Amen.

Read more
Thanh Le

San Francisco, California, United States

Dec 12, 2017

O Lord! My service is failure full and weak, I confess shamefully. May Your cross deepen its work within me and burning me into ashes so that the Holy Spirit will fill me each day more than before.

Read more
Chidiebere

Lagos, Nigeria

Oct 30, 2016

Oh may the Lord fill me with His Spirit until am one with Him in reality.

Read more
IrisCrystal Seok

South Korea

Jan 6, 2014

Lord, thank You for each revelation on ‘the self’ in Your economy.

From the deepest part of our being, we praise You for the visions and enlightenments on ‘the self’ given from You to each one of us in the Body, which are evermore needed for “the death operating in us”(2 Cor. 4:12).

Read more
Thomas L Agawu

Ho, Volta Region, Ghana

Jul 4, 2012

God's forgiveness "married" David's transgression and repentance, and this marriage brought forth the man named Solomon, who built the temple of God; Solomon is a type of Christ and of those who experience Christ to be one with them.

Read more